Next book

CARL VAN VECHTEN AND THE HARLEM RENAISSANCE

A PORTRAIT IN BLACK AND WHITE

The development of literature by and about African-Americans owes its birth to Van Vechten, and Bernard ably brings him to...

We tend to think of jazz as the center of the Harlem Renaissance, but music was only a small part.

In the great migration between the wars, when blacks fled poverty and racial violence in the South, a wealth of organizations sprang to life to foster social and political progress. The publishing industry took a lead role, and Carl Van Vechten (1880–1964) was the impetus that fostered the talents of so many, helping provide a voice to offset long-held stereotypes. Already a published author and close friend of the Knopfs, Van Vechten became a conduit for works of the men and women he met in Harlem, at his well-attended parties and through his work as a dance, theater and music critic. Indeed, Knopf came to rely almost exclusively on Van Vechten’s judgment of works submitted to them. Bernard (English and Ethnic Studies/Univ. of Vermont; Some of My Best Friends: Writings on Interracial Friendships, 2005, etc.), who has devoted years to the study of the Harlem Renaissance, delivers a semester’s worth of knowledge in a smooth, edifying narrative. The available documents and well-preserved correspondence in the James Weldon Johnson Collection at Yale University provided the author information for volumes of work on Van Vechten and the Renaissance he promoted. Bernard’s subject helped establish that collection and donated all his correspondence to it while he encouraged his friends to do the same. His own work, Nigger Heaven (1925), was a bestseller and drew both raves and rants. Some referred to it as a black book written by a white man, while others saw it as an illustration of the power of language in the relation between race and art.

The development of literature by and about African-Americans owes its birth to Van Vechten, and Bernard ably brings him to life.

Pub Date: Feb. 28, 2012

ISBN: 978-0-300-12199-5

Page Count: 368

Publisher: Yale Univ.

Review Posted Online: Jan. 23, 2012

Kirkus Reviews Issue: Feb. 1, 2012

Next book

NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

Awards & Accolades

Likes

  • Readers Vote
  • 10


Our Verdict

  • Our Verdict
  • GET IT


Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating
Next book

INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

Awards & Accolades

Likes

  • Readers Vote
  • 10


Our Verdict

  • Our Verdict
  • GET IT


Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating

The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

Close Quickview