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REMEMBER ME TO HARLEM

THE LETTERS OF LANGSTON HUGHES AND CARL VAN VECHTEN, 1925-1964

All in all, a fine addition to American literary scholarship.

Letters illuminating the lives of the great African-American poet and his forgotten literary champion.

Hughes had published only in a few newspapers and literary journals when, at a Harlem party in 1924, he met the flamboyant arts critic Van Vechten—who, though born into a well-heeled white Midwestern family, sometimes thought of himself as “colored” and in any event labored vigorously to publicize the African-American writers, artists, and musicians who participated in the Harlem Renaissance. He introduced Hughes’s work to Alfred Knopf, who brought out The Weary Blues in 1925; by way of returning the favor, Hughes gingerly defended Van Vechten’s novel Nigger Heaven (which made liberal use of a word forbidden to whites then as now). Their friendship blossomed, and Van Vechten continued to promote Hughes’s work—and to help Hughes in moments of financial crisis—even after Hughes became internationally famous and Van Vechten slid into obscurity. The letters, thoughtfully edited and annotated by Bernard (African-American Studies/Smith Coll.), are often unremarkable exchanges of cordiality and gossip between two men who obviously cared a great deal for one another; they are, however, highly useful as adjuncts to Hughes’s autobiography and other life studies, posted as they are from such far-flung places as Hollywood and Central Asia. Moreover, they abound in references to the work of contemporaries, such as Countee Cullen and Bessie Smith, so that the volume makes useful reading for students of African-American literature and culture generally. The collection brings recognition to Van Vechten’s many efforts to connect African-American artists to the New York establishment—efforts, Bernard notes, that have too long been overlooked.

All in all, a fine addition to American literary scholarship.

Pub Date: Feb. 22, 2001

ISBN: 0-679-45113-7

Page Count: 416

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 2000

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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