A nightmarish and unsettling story.
In Beyda’s claustrophobic first novel, the body double for a reclusive star is trapped in a Los Angeles home, awaiting her public debut.
Rosanna Feld, tired of the spotlight, has sent headhunter Max to hire a look-alike to be photographed and interviewed in her place until she recovers. The body double will be paid well for her services. The catch is that she’ll have to sign a nondisclosure agreement about her work, cut herself off from the people who know her true identity, and leave the country at the end of a three-year contract. Max finds the unnamed heroine working a dead-end job at a movie theater. With weak family ties and few friends, she readily accepts the offer. But from the minute she moves into Rosanna's empty Los Angeles apartment, she realizes that Max is more than just a talent scout. Max controls her diet and clothing, makes her study videos of Rosanna to learn to mimic her personality, and locks her in the house when he’s away. He slowly chips away at her identity, even coercing her into getting plastic surgery to look more like Rosanna, until she realizes with regret that she’ll no longer see her dead mother’s features in her own face. The more she invests in Rosanna’s identity, the more she longs for her approval—and for Max to deem her ready for the outside world. Once she’s there, she’s seduced by lavish shopping sprees, exclusive parties, and outings with Rosanna’s old friend Marie. If she can fool the press, and even Rosanna’s friends, into thinking she’s the real thing, she’ll have a better life than the one she left. But Max’s increasingly controlling behavior makes her wonder who Rosanna is and what she’s really hiding from. The big reveal is less surprising than it is well executed, its climax lush and operatic. As she meets her fate with slow-burning horror, the unnamed woman fades like a ghost in a haunted house, its rooms as hollow as the empty promise of stardom.
A nightmarish and unsettling story.Pub Date: March 3, 2020
ISBN: 978-0-385-54527-3
Page Count: 304
Publisher: Doubleday
Review Posted Online: Dec. 8, 2019
Kirkus Reviews Issue: Jan. 1, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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