Make an Aperol spritz, get out the lounge chair, and enjoy this Roman holiday.
It’s not all la dolce vita and Pucci dresses in Dunlay’s 1969 Rome.
From the outset it’s apparent that something has gone off the rails in the life of Teddy, the eponymous narrator of Dunlay’s debut novel. Teddy Huntley Carlyle, recently married to the stolid David Shepard—ostensibly a business development liaison at the U.S. Embassy in Rome—is a beautiful debutante, Texas born and raised. Before a whirlwind courtship with David, who was visiting Dallas on government business, Teddy worked for her wealthy and politically influential family’s art foundation, but her remaining single at age 34 had caused consternation within the clan. Teddy sees her move to Rome with David as an opportunity to create a new life and to become the wife she believes David wants while cleaning up a few loose ends and secrets she has been carrying with her. Finding herself alone for stretches as David travels, Teddy’s resolve to stay on the straight and narrow is tested as it slowly becomes clear to her that she is not the only player in her personal drama with secrets to hide. Teddy’s account of how she winds up being “interviewed” by security agents from the embassy is, by turns, a fast-paced overview of the glittering high life of late 1960s Rome and a slow-burn reveal of the family and personal secrets weighing so heavily upon her. Her direct approach in relating her complicated life story creates sympathy for a character who is otherwise messy, not always scrupulously honest, and prone to self-indulgence. Descriptions of couture dresses, jewelry, and extravagant accessories provide enjoyable eye candy, and it is easy to visualize Teddy’s well-clad life in Rome on a big screen in this satisfying meetup of suspense, rom-com, family drama, and historical fiction.
Make an Aperol spritz, get out the lounge chair, and enjoy this Roman holiday.Pub Date: July 2, 2024
ISBN: 9780063354890
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: May 4, 2024
Kirkus Reviews Issue: June 1, 2024
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
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