by Emily Gale & Nova Weetman ‧ RELEASE DATE: Aug. 9, 2022
A charming, eye-opening exploration of gender restrictions and self-determination.
Two Australian girls swap bodies and eras: Cat Feeney goes back to 1908 and Fanny Durack forward to 2021, experiences that prove liberating for both.
Their lives converge when each of them, in their separate times, go swimming at Wylie’s Baths in Coogee, near Sydney. Cat and Fanny narrate their confusion over the jarring body-swapping time travel in alternating first-person voices. As they pick up clues, they discover that they have swimming in common. Their responses to women’s roles and the conveniences and inconveniences of life in each time period are warmly relatable. Cat hates restrictive, gender-based chores and clothing. Laundry and ironing require hours of labor, and she dislikes swimming in a heavy woolen bathing suit. Fanny is thrilled to go to school and enjoys riding in cars. She favors packaged food and is shy about her skimpy bathing suit. As Cat and Fanny rail against and adjust to their circumstances, they each clarify their passions, defining for themselves, without family or cultural pressures, their goals: Cat to get her Surf Rescue Certificate; Fanny to fight for a women’s Olympic swim team. How can they trade places again so they can pursue their dreams? Cat is White, as is Fanny, a character inspired by Sarah Frances Durack, who in 1912 became the first woman swimmer to win an Olympic gold for Australia. Racial diversity in secondary characters reflects past prejudices and changing attitudes.
A charming, eye-opening exploration of gender restrictions and self-determination. (afterword) (Fiction. 10-14)Pub Date: Aug. 9, 2022
ISBN: 978-1-922330-45-1
Page Count: 320
Publisher: Text
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
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by Emily Gale
by Soman Chainani ; illustrated by Iacopo Bruno ‧ RELEASE DATE: May 14, 2013
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
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by Soman Chainani ; illustrated by Iacopo Bruno
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BOOK TO SCREEN
by Katherine Marsh ‧ RELEASE DATE: Aug. 7, 2018
A captivating book situated in present-day discourse around the refugee crisis, featuring two boys who stand by their high...
Two parallel stories, one of a Syrian boy from Aleppo fleeing war, and another of a white American boy, son of a NATO contractor, dealing with the challenges of growing up, intersect at a house in Brussels.
Ahmed lost his father while crossing the Mediterranean. Alone and broke in Europe, he takes things into his own hands to get to safety but ends up having to hide in the basement of a residential house. After months of hiding, he is discovered by Max, a boy of similar age and parallel high integrity and courage, who is experiencing his own set of troubles learning a new language, moving to a new country, and being teased at school. In an unexpected turn of events, the two boys and their new friends Farah, a Muslim Belgian girl, and Oscar, a white Belgian boy, successfully scheme for Ahmed to go to school while he remains in hiding the rest of the time. What is at stake for Ahmed is immense, and so is the risk to everyone involved. Marsh invites art and history to motivate her protagonists, drawing parallels to gentiles who protected Jews fleeing Nazi terror and citing present-day political news. This well-crafted and suspenseful novel touches on the topics of refugees and immigrant integration, terrorism, Islam, Islamophobia, and the Syrian war with sensitivity and grace.
A captivating book situated in present-day discourse around the refugee crisis, featuring two boys who stand by their high values in the face of grave risk and succeed in drawing goodwill from others. (Historical fiction. 10-14)Pub Date: Aug. 7, 2018
ISBN: 978-1-250-30757-6
Page Count: 368
Publisher: Roaring Brook Press
Review Posted Online: June 10, 2018
Kirkus Reviews Issue: July 1, 2018
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by Katherine Marsh ; illustrated by Kelly Murphy
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