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WOLVES

With a nod to David Wiesner’s classic, The Three Pigs (2001), newcomer Gravett creates a postmodern story that can easily be enjoyed by a less sophisticated audience. A rabbit checks out a book of information on wolves from the library. As he reads, absorbed, he fails to notice a wolf stepping out of the book, ever larger and more menacing. Wolves “have bushy tails,” reads Rabbit, while trodding unaware on the wolf’s tail. The wolf creeps up on the feckless bunny until Rabbit comes upon the information that wolves eat rabbits! The rabbit is bug-eyed with alarm, while the consummate page-turn reveals the library book clawed to shreds . . . the rabbit gone. Never fear, delicate readers, there is an alternate ending in which the rabbit and the wolf, who is a vegetarian, share a sandwich. Like many postmodern picture books, the mixed-media illustrations call attention to the book itself, and establish an ironic relationship between the deadpan text and the endearingly expressive rabbit stalked by the slavering wolf. Brilliant fun. (Picture book. 5-8)

Pub Date: Aug. 1, 2006

ISBN: 1-4169-1491-9

Page Count: 40

Publisher: Simon & Schuster

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: July 1, 2006

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DIARY OF A SPIDER

The wriggly narrator of Diary of a Worm (2003) puts in occasional appearances, but it’s his arachnid buddy who takes center stage here, with terse, tongue-in-cheek comments on his likes (his close friend Fly, Charlotte’s Web), his dislikes (vacuums, people with big feet), nervous encounters with a huge Daddy Longlegs, his extended family—which includes a Grandpa more than willing to share hard-won wisdom (The secret to a long, happy life: “Never fall asleep in a shoe.”)—and mishaps both at spider school and on the human playground. Bliss endows his garden-dwellers with faces and the odd hat or other accessory, and creates cozy webs or burrows colorfully decorated with corks, scraps, plastic toys and other human detritus. Spider closes with the notion that we could all get along, “just like me and Fly,” if we but got to know one another. Once again, brilliantly hilarious. (Picture book. 6-8)

Pub Date: Aug. 1, 2005

ISBN: 0-06-000153-4

Page Count: 40

Publisher: Joanna Cotler/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2005

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THE WONKY DONKEY

Hee haw.

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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