GREAT BIG BEAUTIFUL LIFE

Two journalists compete for the chance to write the biography of an aging heiress.

Alice Scott works for a pop-culture website, but she hopes writing a biography of Margaret Ives, a reclusive heiress known as the Tabloid Princess, will boost her career to the next level. One problem: Margaret Ives is incredibly hard to track down. Make that two problems: When Alice finally finds her on a small island off the coast of Georgia, another journalist is there, too—Hayden Anderson. They both want this job, and Margaret wants to be sure she can trust the person telling her story, so she proposes an unusual deal. Both Alice and Hayden will stay on the island and work with Margaret for a one-month trial period, after which she’ll decide who gets to write her book. Hayden couldn’t be more different from Alice—while she’s optimistic and friendly, he’s cynical and standoffish. She’s desperately seeking her family’s approval and thinks she can get it by writing a book, and he’s a Pulitzer Prize–winning biographer. The two of them sign ironclad NDAs, but it’s a small island and they can’t help running into each other—and then, against all odds, they even start to like each other. Alice and Hayden’s unlikely attraction is only one of the book’s timelines, however. Although Henry is known as the queen of contemporary romance, here she explores the world of historical fiction as Alice interviews Margaret and learns about her family’s history—going back to the gold rush and the early days of Hollywood—and finally the tragic love story that led her to retreat from the public eye. Alice also begins to unravel her own family history and learns that the stories she’s been telling herself may not have been true after all. Alice and Hayden’s romance is a delightful slow burn and Henry, as always, shines when exploring family drama, but the emphasis here is on Margaret’s past and how it ties into everyone’s future.

Both a steamy romance and a moving look at the sacrifices people make for love.