by Emily Henry ‧ RELEASE DATE: Jan. 26, 2016
While the love is so at-first-sight as to be clichéd and the cultural issues problematic, this debut is otherwise sensitive,...
Time-slips on a time crunch give a teenage girl a long shot at love.
Natalie had thought therapy had banished her favorite hallucination, a mysteriously knowing old woman who calls herself Grandmother and tells Natalie world creation tales and Native American legends. But now she’s returned, with a cryptic message: Natalie only has three months to save an unknown “him.” Before Natalie can puzzle this out, she starts experiencing strange time-slips into an alternate reality where small things are different, centering on a handsome boy who disappears and reappears, a boy to whom Natalie feels an immediate connection. But these moments are unpredictable and disturbing, and Grandmother’s warning hangs overhead, forcing Natalie to spend her last summer before college trying to solve a mystery rooted in suppressed trauma from her past. Natalie, a Native American adoptee, already deals with identity issues that parallel the split worlds she finds herself bouncing between. Moments of introspection are balanced by fully realized secondary characters and occasional moments of hilarity. The story begins slowly but picks up speed and intensity as the clock runs out, ending in a conclusion of intricate twists. Natalie’s specific tribal heritage is unknown, and her search for identity informs the plot in artful ways; although issues surrounding the ethics of cross-cultural adoption and cultural appropriation are carefully touched upon, it’s still hard not to see Natalie’s background as a plot device more than anything else.
While the love is so at-first-sight as to be clichéd and the cultural issues problematic, this debut is otherwise sensitive, lyrical, and deftly plotted. (Speculative fiction. 12 & up)Pub Date: Jan. 26, 2016
ISBN: 978-1-59514-850-6
Page Count: 400
Publisher: Razorbill/Penguin
Review Posted Online: Dec. 7, 2015
Kirkus Reviews Issue: Dec. 15, 2015
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by Laura Nowlin ‧ RELEASE DATE: April 1, 2013
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
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The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
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SEEN & HEARD
by Laura Nowlin ‧ RELEASE DATE: Feb. 6, 2024
A heavy read about the harsh realities of tragedy and their effects on those left behind.
In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.
Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.
A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)Pub Date: Feb. 6, 2024
ISBN: 9781728276229
Page Count: 416
Publisher: Sourcebooks Fire
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 1, 2024
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