by Emily Kilgore ; illustrated by Zoe Persico ‧ RELEASE DATE: Sept. 6, 2022
A clumsy but sweet springboard to discussions about spreading rumors.
A companion to The Whatifs (2020), this time exploring gossip.
Mason is a meddlesome lad, which makes him especially attractive to the buzzy swarms of “Iheards”—insectlike creatures with long proboscises, perfect for fitting in ears and whispering secrets. The Iheards surround Mason, telling him rumors of other classmates. “I heard Ameera is scared / of thunderstorms.” “I heard Valeria broke / Maya’s crayon on purpose!” All of these secrets build up inside of Mason until he can’t take it anymore. They burst forth, whether true or not, and he tells everyone. A special History Day project is assigned, and no one wants to be Mason’s partner. On the day of the presentation, Mason is distraught; the Iheards prey on his weakness, crowding and zipping around, creating literal clouds of insecurities. Luckily, classmate Natalie offers a different perspective—what if the Iheards can be good? A shift appears in both Mason and the art: He beams, and the room brightens. This tale follows the same emotional pathway as Kilgore and Perisco’s previous work but not quite as seamlessly. Framing the Iheards as positive is a bit more clunky and difficult; still, given how relevant the topic is, this one may be a jumping-off point to conversations about gossip. An author’s note further explains that we all deserve to share our own stories and that repeating rumors can be painful. Mason is light-skinned, Natalie is brown-skinned, and their classmates are diverse. (This book was reviewed digitally.)
A clumsy but sweet springboard to discussions about spreading rumors. (Picture book. 4-8)Pub Date: Sept. 6, 2022
ISBN: 978-1-4998-1268-8
Page Count: 40
Publisher: Little Bee Books
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by JaNay Brown-Wood ; illustrated by Hazel Mitchell ‧ RELEASE DATE: Oct. 14, 2014
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...
Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.
The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)Pub Date: Oct. 14, 2014
ISBN: 978-1-934133-57-6
Page Count: 32
Publisher: Mackinac Island Press
Review Posted Online: July 28, 2014
Kirkus Reviews Issue: Aug. 15, 2014
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