A provocative first novel filled to the brim with dazzling language, mystery, and a profound belief in the human capacity to...
Ruskovich’s debut opens to the strains of a literary thriller but transforms into a lyrical meditation on memory, loss, and grief in the American West.
Ann, a young music teacher, falls in love with Wade Mitchell, the father of two girls in her school, over piano lessons. That summer, Wade’s family is ripped apart by a tragedy that leaves one daughter dead, another missing, and Wade’s now-ex-wife, Jenny, serving a life sentence for murder. Against all odds, Ann and Wade marry, and she tries to soothe her new husband’s insurmountable grief by piecing together what happened that day. Her efforts are thwarted by Wade’s creeping dementia, which has a tendency to turn violent. Ann is left with only the powers of her imagination to reconstruct an account of the murder, putting her personal safety at risk as Wade becomes less predictable. Like memory, Ann's shifting vision of that day is fleeting, ephemeral, and imperfect, scattered as easily as "dozens of blackbirds, startled at nothing." In fact, her emotional porousness might be a key for the entire novel, which hopscotches across more than 50 years and multiple perspectives to draw connections, parallels, and portraits of the men and women who populate Ruskovich’s Idaho. We also catch glimpses of Elizabeth, Jenny’s cellmate; Wade’s fractured recollections of his childhood and first marriage; the final days of May, Wade’s murdered daughter; and, at long last, Jenny herself. Ruskovich builds poetry out of observing the smallest details—moments of narrative precision and clarity that may not illuminate what happened the day of the murder but which push the reader to interrogate the limits of empathy. Fans of lush, psychological dramas like the BBC miniseries Top of the Lake or Broadchurch have their winter reading cut out for them.
A provocative first novel filled to the brim with dazzling language, mystery, and a profound belief in the human capacity to love and seek forgiveness.Pub Date: Jan. 3, 2017
ISBN: 978-0-8129-9404-9
Page Count: 320
Publisher: Random House
Review Posted Online: Nov. 21, 2016
Kirkus Reviews Issue: Dec. 1, 2016
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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