by Emily Smith Pearce ‧ RELEASE DATE: Sept. 1, 2007
Eight-year-old Isabel has a new baby sister, a “miracle baby,” because her mother is a recent cancer survivor. Now she has to share her room, be extra quiet and help care for the baby. Her family has moved from a home she loved and her father now has a job that often takes him away. Troubles at school and difficulty making friends make everything even worse. Do her parents love the baby more than her? Will her mother’s cancer return? Will she ever have a best friend? She feels confused, angry, neglected and frightened. She isn’t able to voice her concerns, so she acts out and gets into a ton of trouble. Her parents aren’t perfect and all knowing; they are fumbling through all the changes also, and are not aware of how it all appears to Isabel. Although the character of Ben, who turns out to be an important catalyst in the dénouement, is vague and undeveloped, Pearce truly understands how a young child views the world and conveys Isabel’s thoughts and frustrations with compassion. A fine debut. (Fiction. 8-10)
Pub Date: Sept. 1, 2007
ISBN: 978-1-932425-44-4
Page Count: 160
Publisher: Front Street/Boyds Mills
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2007
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BOOK REVIEW
by Emily Smith Pearce & illustrated by Scot Ritchie
by Rebecca Bond ; illustrated by Rebecca Bond ‧ RELEASE DATE: July 7, 2015
Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to...
A group of talking farm animals catches wind of the farm owner’s intention to burn the barn (with them in it) for insurance money and hatches a plan to flee.
Bond begins briskly—within the first 10 pages, barn cat Burdock has overheard Dewey Baxter’s nefarious plan, and by Page 17, all of the farm animals have been introduced and Burdock is sharing the terrifying news. Grady, Dewey’s (ever-so-slightly) more principled brother, refuses to go along, but instead of standing his ground, he simply disappears. This leaves the animals to fend for themselves. They do so by relying on their individual strengths and one another. Their talents and personalities match their species, bringing an element of realism to balance the fantasy elements. However, nothing can truly compensate for the bland horror of the premise. Not the growing sense of family among the animals, the serendipitous intervention of an unknown inhabitant of the barn, nor the convenient discovery of an alternate home. Meanwhile, Bond’s black-and-white drawings, justly compared to those of Garth Williams, amplify the sense of dissonance. Charming vignettes and single- and double-page illustrations create a pastoral world into which the threat of large-scale violence comes as a shock.
Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to ponder the awkward coincidences that propel the plot. (Animal fantasy. 8-10)Pub Date: July 7, 2015
ISBN: 978-0-544-33217-1
Page Count: 256
Publisher: HMH Books
Review Posted Online: March 31, 2015
Kirkus Reviews Issue: April 15, 2015
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BOOK REVIEW
by Rebecca Bond ; illustrated by Salley Mavor
BOOK REVIEW
by Rebecca Bond ; illustrated by Rebecca Bond
BOOK REVIEW
by Rebecca Bond ; illustrated by Rebecca Bond
by Jeff Brown & illustrated by Scott Nash ‧ RELEASE DATE: March 1, 2003
Flattened once more, this time not by a falling bulletin board but a double blow to his elusive “Osteal Balance Point”—or so says family GP Dr. Dan—Stanley Lambchop gets two more chances to play the hero before popping back into shape. First he becomes a human spinnaker in a sailboat race, then he worms his way through the wreckage of a collapsed building to rescue ever-rude classmate Emma Weeks. Alluding to previous episodes, Stanley complains, “Why me? Why am I always getting flat, or invisible, or something?” Mr. Lambchop replies, “But things often happen without there seeming to be a reason, and then something else happens, and suddenly the first thing seems to have had a purpose after all.” Perhaps—even if that purpose is just to tread water, as Brown does here. Still, with its cartoon illustrations, well-leaded text and general goofiness, this retread is as likely to draw transitional readers as the perennial favorite Flat Stanley (1964) and its sequels. (Fiction. 8-10)
Pub Date: March 1, 2003
ISBN: 0-06-009551-2
Page Count: 96
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2003
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