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WOODWORKING

Pristinely characterized, this debut novel is by turns funny and heartrending.

A trans teen helps her English teacher through the fraught process of coming out as transgender in small-town Mitchell, South Dakota.

Thirty-five-year-old Erica Skyberg has always known she was a woman, despite the fact that she’s still Mr. Skyberg to her high school students and, well, to everyone else. Her ex-wife, Connie, with whom Erica is still in love, is pregnant by her new Trump-supporting farmer boyfriend. It’s only when 17-year-old Abigail Hawkes—spiky, foul-mouthed, outspokenly trans—transfers to Mitchell High that Erica has someone to tell her secret to. Abigail’s got enough of her own problems and complications: parents who have kicked her out, a boyfriend whose rich conservative mom is bankrolling a state political campaign for a local transphobic preacher, and Abigail’s own work as a volunteer for the preacher’s Democratic rival. (The novel is set in the autumn preceding the 2016 election, which feels long enough ago in the timeline of transgender politics as to constitute historical fiction.) As the only trans person Erica knows, Abigail reluctantly becomes her sounding board, and Erica feels guilty leaning on her; they gradually grow close even as their relationship draws scrutiny and suspicion from the people around them. Alternating primarily between Erica’s third-person chapters and Abigail’s first-person ones, St. James contrasts Erica’s attempts to be seen for who she really is with Abigail’s thwarted desire for “woodworking,” or disappearing into the woodwork to achieve the normalcy she thinks she so badly wants. (“I’ll be hiding in the walls, trying to be any other girl, like in that one story with the yellow wallpaper,” she vows.) St. James’ plot moves like a Shakespeare comedy—some contrivances, yes, but all in the service of portraying the prismatic variations of the characters here, both cis and trans, who alternately fail themselves and each other, and work to rescue them back again.

Pristinely characterized, this debut novel is by turns funny and heartrending.

Pub Date: March 4, 2025

ISBN: 9781638931478

Page Count: 368

Publisher: Crooked Media Reads/Zando

Review Posted Online: Dec. 14, 2024

Kirkus Reviews Issue: Jan. 15, 2025

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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INTERMEZZO

Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.

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Two brothers—one a lawyer, one a chess prodigy—work through the death of their father, their complicated romantic lives, and their even more tangled relationship with each other.

Ten years separate the Koubek brothers. In his early 30s, Peter has turned his past as a university debating champ into a career as a progressive lawyer in Dublin. Ivan is just out of college, struggling to make ends meet through freelance data analysis and reckoning with his recent free fall in the world chess rankings. When their father dies of cancer, the cracks in the brothers’ relationship widen. “Complete oddball” Ivan falls in love with an older woman, an arts center employee, which freaks Peter out. Peter juggles two women at once: free-spirited college student Naomi and his ex-girlfriend Sylvia, whose life has changed drastically since a car accident left her in chronic pain. Emotional chaos abounds. Rooney has struck a satisfying blend of the things she’s best at—sensitively rendered characters, intimacies, consideration of social and philosophical issues—with newer moves. Having the book’s protagonists navigating a familial rather than romantic relationship seems a natural next step for Rooney, with her astutely empathic perception, and the sections from Peter’s point of view show Rooney pushing her style into new territory with clipped, fragmented, almost impressionistic sentences. (Peter on Sylvia: “Must wonder what he’s really here for: repentance, maybe. Bless me for I have. Not like that, he wants to tell her. Why then. Terror of solitude.”) The risk: Peter comes across as a slightly blurry character, even to himself—he’s no match for the indelible Ivan—so readers may find these sections less propulsive at best or over-stylized at worst. Overall, though, the pages still fly; the characters remain reach-out-and-touch-them real.

Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.

Pub Date: Sept. 24, 2024

ISBN: 9780374602635

Page Count: 464

Publisher: Farrar, Straus and Giroux

Review Posted Online: July 4, 2024

Kirkus Reviews Issue: Aug. 1, 2024

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