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THE TURNING

A dishonest ending to an otherwise well-conceived story.

A half-human, half-selkie boy searches for a way to belong.

For his first 11 years, Aran considered himself wholly a selkie pup, living with his mother and a small clan of other adult selkies. Most selkies—seals who can transform into human shape—are born wearing their pelts, but pale-skinned Aran wasn’t; his mother assures him it’s only a matter of time. Being stuck “in longlimbs” means that Aran can’t swim as fast or far as his clan members, which prevents his mother and him from migrating or attending the selkie Moon Day rites with the others. He drinks salt water rather than fresh, but he can’t hold his breath underwater for nearly as long as the rest. When he learns that his father was actually a human man, he fears he’ll never get his pelt. Finally his clan heads north to seek advice and possibly a pelt from the ancient wise ones, leaving Aran behind. Aran forges a cautious life as a partial human, making friends with a brown-skinned, biracial girl named Nellie and her artist grandfather, a white man. Still, the sea calls him every day, and when violence threatens, Aran flees. Told from Aran’s first-person point of view, the story goes smoothly to that point despite some minor flaws in the worldbuilding, only to wreck against the craggy reef of its ending, which rejects his essential duality.

A dishonest ending to an otherwise well-conceived story. (Fantasy. 8-12)

Pub Date: July 24, 2018

ISBN: 978-0-06-265795-4

Page Count: 400

Publisher: Greenwillow Books

Review Posted Online: April 24, 2018

Kirkus Reviews Issue: May 15, 2018

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WRECKING BALL

From the Diary of a Wimpy Kid series , Vol. 14

Readers can still rely on this series to bring laughs.

The Heffley family’s house undergoes a disastrous attempt at home improvement.

When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.

Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)

Pub Date: Nov. 5, 2019

ISBN: 978-1-4197-3903-3

Page Count: 224

Publisher: Amulet/Abrams

Review Posted Online: Nov. 18, 2019

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THE LION OF LARK-HAYES MANOR

A pleasing premise for book lovers.

A fantasy-loving bookworm makes a wonderful, terrible bargain.

When sixth grader Poppy Woodlock’s historic preservationist parents move the family to the Oregon coast to work on the titular stately home, Poppy’s sure she’ll find magic. Indeed, the exiled water nymph in the manor’s ruined swimming pool grants a wish, but: “Magic isn’t free. It cosssts.” The price? Poppy’s favorite book, The Lion, the Witch, and the Wardrobe. In return she receives Sampson, a winged lion cub who is everything Poppy could have hoped for. But she soon learns that the nymph didn’t take just her own physical book—she erased Narnia from Poppy’s world. And it’s just the first loss: Soon, Poppy’s grandmother’s journal’s gone, then The Odyssey, and more. The loss is heartbreaking, but Sampson’s a wonderful companion, particularly as Poppy’s finding middle school a tough adjustment. Hartman’s premise is beguiling—plenty of readers will identify with Poppy, both as a fellow bibliophile and as a kid struggling to adapt. Poppy’s repeatedly expressed faith that unveiling Sampson will bring some sort of vindication wears thin, but that does not detract from the central drama. It’s a pity that the named real-world books Poppy reads are notably lacking in diversity; a story about the power of literature so limited in imagination lets both itself and readers down. Main characters are cued White; there is racial diversity in the supporting cast. Chapters open with atmospheric spot art. (This review has been updated to reflect the final illustrations.)

A pleasing premise for book lovers. (Fantasy. 9-12)

Pub Date: May 2, 2023

ISBN: 9780316448222

Page Count: 320

Publisher: Little, Brown

Review Posted Online: Feb. 24, 2023

Kirkus Reviews Issue: March 15, 2023

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