CLAUDE

The titular alligator’s life is chronicled, from his hatching in 1995 at a Louisiana alligator farm through his move to a Florida zoo to his current existence as a major attraction at the California Academy of Sciences.

The first double-page spread announces, “In a Louisiana swamp, a baby alligator cracked out of his shell.” The text goes on to tell all the ways in which this baby was similar to “his many brothers and sisters,” including calling them all “quite cute.” Amazingly, the pastel-hued, retro-feeling art does a fine job of echoing that sentiment, showing a bevy of not-entirely-anthropomorphized little critters emerging from their eggs in different poses. The eye is drawn to the sole (cute) white one as the text pronounces the fact that this alligator is called an albino. As the story unfolds, readers learn of the dangers faced by albino alligators, including the fact that other alligators feel uncomfortable around them. The theme of rejection due to difference is an intrinsic part of Claude’s story, so readers develop sympathy and empathy as they also learn facts about albinism and animal behavior. For 13 years, Claude lives in safety in a zoo—but also alone. When he is transported to San Francisco to a state-of-the-art museum swamp, a second (green) alligator is introduced—but after she injures Claude, he is alone again. Or is he? Art shows attention to diversity in people.

Sweet and engaging.