by Emma Bland Smith ; illustrated by Alison Jay ‧ RELEASE DATE: Nov. 10, 2020
Weirdly fascinating.
“This is a true tale about two mighty nations, an ill-fated pig, and a most unusual war. It is also a story about sharing.”
That opening, in black, sans-serif lettering, is followed by further text that’s broken up by red-inked headings for date, setting, characters, and mood. Continuing a jaunty, lighthearted tone that proceeds throughout the text, it informs readers that the mood is “About to change, for the worse.” The verso sports an antique-looking map of the Western Hemisphere with a detail of San Juan—a Pacific Northwest coast island of, in 1859, ambiguous provenance inhabited both by British employees of the Hudson’s Bay Company and a few American settlers. (The original, Indigenous residents are relegated to a parenthetical mention in the author’s note and figure not at all in the story.) As the story begins, an American named Lyman Cutlar angrily kills Brit Charles Griffin’s pig as it eats from Cutlar’s potato patch. Cutlar apologizes and offers to pay for the pig but then refuses to pay Griffin’s exorbitant asking price. Enter authorities from both nations in an escalation that eventually involves scores of warships. When war seems inevitable, Gen. Winfield Scott is sent by President James Buchanan to mediate. The text is true to its introduction, and it also pursues the idea that hotheadedness leads to disastrous consequences. Vocabulary, verbosity, and content suit this for older elementary, independent readers. The storytelling goes a bit flat at the end, when Cutlar is mentioned but not Griffin. Colorful, stylized art against apparently distressed surfaces is an impeccable complement. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at 42.6% of actual size.)
Weirdly fascinating. (photographs, timeline, resources, artist’s note) (Informational picture book. 7-9)Pub Date: Nov. 10, 2020
ISBN: 978-1-68437-171-6
Page Count: 48
Publisher: Calkins Creek/Boyds Mills
Review Posted Online: Sept. 14, 2020
Kirkus Reviews Issue: Oct. 1, 2020
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by Lia Kvatum & photographed by Liya Pokrovskaya ‧ RELEASE DATE: July 10, 2012
An affectionate picture of bears and bear scientists, capped with a page of moon bear facts and an afterword.
Not one but three roly-poly moon bear cubs star in this true animal rescue tale.
Orphaned by poachers, Yasha, joined later by Shum and Shiksha, are nurtured by Pokrovskaya and another scientist for nearly two years on a game preserve until they were ready to be released into the Siberian wild. Taking a slightly anthropomorphized bear’s-eye point of view (“Yasha was happy with his new home”), Kvatum chronicles the cubs’ development as they learn to forage on their own while playing together and learning to climb trees. She also notes how important it is for human observers to remain aloof—minimizing physical contact and even wearing scent-concealing clothing—to prevent the animals from becoming dependent or domesticated. Looking positively fetching in the big, color photos, shaggy Yasha and his ursine cohorts grow visibly as they ramble through woodsy settings, splash in a river and survive an encounter with a prowling tiger before being deemed ready to live on their own.
An affectionate picture of bears and bear scientists, capped with a page of moon bear facts and an afterword. (map, bibliography) (Informational picture book. 7-9)Pub Date: July 10, 2012
ISBN: 978-1-4263-1051-5
Page Count: 32
Publisher: National Geographic
Review Posted Online: May 15, 2012
Kirkus Reviews Issue: June 1, 2012
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by Tom Adams ; illustrated by Josh Lewis ‧ RELEASE DATE: Sept. 26, 2017
It’s got a few quirky bits, but it’s lackluster overall.
Pop-up dinosaurs, both fossilized and fully fleshed out, join Mesozoic contemporaries in a series of museum displays.
The single-topic spreads are up-to-date but designed to evoke the dusty atmosphere of old-style dinosaur halls (emphasizing this conceit, some are even labeled “Rooms”). They combine cramped blocks of information in smallish type with images of beasts and bones done in a style that resembles the faded naturalism of early-20th-century museum murals—or, in the “Fossil Room,” a desktop covered in paleontological notes with paper clips and coffee stains. Occasional inset spinners and attached booklets supply additional dino details. A tab-activated flipbook attempts to demonstrate tectonic drift, but readers have to go fairly slowly to assimilate it all, which blunts the effect. Amid pale silhouettes representing modern museum visitors, the prehistoric creatures, nearly all of which are small and drably colored, rear up individually or parade along in sedate, motley groups until a closing display and mention of genetic engineering promise a possible future with pet velociraptors.
It’s got a few quirky bits, but it’s lackluster overall. (Informational pop-up picture book. 7-9)Pub Date: Sept. 26, 2017
ISBN: 978-0-7636-9687-0
Page Count: 14
Publisher: Candlewick
Review Posted Online: Sept. 17, 2017
Kirkus Reviews Issue: Dec. 1, 2017
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