Emotionally rich and quietly thought-provoking, this is simply a stunning fiction debut.
A timely coming-of-age story about art and love from the author of The Third Rainbow Girl (2020).
This novel begins with a middle-aged photographer describing a lengthy bout of depression and isolation with oblique—but very telling—references to how the death of her “housemate” factored into her sense of despair. When she finally reemerges, she encounters “two white kids” in a coffee shop and follows them home. Then this unnamed observer disappears—for a while—as she tells the story of Bernie (who “looked like a thin girl”) and Leah (who “looked like a fat boy”). Within a handful of pages, Eisenberg establishes her novel’s central themes and the context in which this narrative is taking place. The physical setting is Philadelphia, although Leah and Bernie will embark on a road trip that takes them through central Pennsylvania—a place that is very much itself while also serving as synecdoche for flyover America. The 2016 presidential election and the Covid-19 pandemic offer temporal touchstones. Shifting mores around sexuality and gender, the complicated demands of social justice movements, how we deal with bad people who create good art, and the difference between recording and actually seeing are just some of the topics Eisenberg lays out before setting her Gen Z protagonists loose to explore them. Bernie and Leah meet when Bernie answers an ad that begins “Four Swarthmore grads, looking for a fifth housemate” and ends with “Queer preferred (we all are).” There are also mentions of proactive communication and a chore wheel. In this household, Bernie is an outsider, someone who is not attuned to—and not at all invested in—this kind of intentional living, and Bernie’s difference changes Leah. Eisenberg works through the issues she sets before the reader at the beginning of her novel with love and nuance. Or maybe it’s better to say that she lets her main characters fumble along in a world in which these issues matter. If that sounds pedantic or prescriptive, it’s not. Eisenberg has a poet’s eye for truth, and her prose is gorgeously precise and empathetic while remaining cleareyed.
Emotionally rich and quietly thought-provoking, this is simply a stunning fiction debut.Pub Date: May 28, 2024
ISBN: 9780593242230
Page Count: 352
Publisher: Hogarth
Review Posted Online: Jan. 20, 2024
Kirkus Reviews Issue: Feb. 15, 2024
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A debut novel with bright spots, but unbalanced and lacking in finesse.
A high school senior pursues an affair with her teacher.
Seventeen-year-old Waldo, the narrator of McCurdy’s fiction debut, lives in Anchorage, Alaska, with her mother, though she’s long been the parent in their relationship. She heats her own frozen meals and pays the bills on time while her mom chases man after man and makes well-meaning promises she never keeps. Waldo blows her Victoria’s Secret wages on online shopping sprees and binges on junk food, inevitably crashing after the fleeting highs of her indulgences. Mr. Korgy, her creative writing teacher, has “thinning hair and nose pores”; he’s 40 years old and married with a child. Nevertheless—or possibly as a result?—Waldo’s attraction to him is “instant. So sudden it’s alarming. So palpable it’s confusing.” Mr. Korgy professes to want to keep their friendship aboveboard, but after a sexual encounter at the school’s winter formal that she initiates, an affair begins. Will this reckless pursuit be the one that actually satisfies Waldo, and is she as mature as she thinks she is? Waldo is a keen observer of people and provides sharp commentary on the punishing work of female beauty. Readers of McCurdy’s bestselling memoir, I’m Glad My Mom Died (2022), will surely be curious about the tumultuous mother-daughter relationship, and it is one of the novel’s highlights, full of realistic pity and anger and need. (“I want to scream at her. I want her to hug me.”) Unfortunately, the prose is often unwieldy and sometimes downright cringeworthy: When Waldo tells Mr. Korgy she loves him, “The words hang in the air in that constipated way they do when you know that you shouldn’t have said them.” Waldo frequently lists emotions and adjectives in triplicate, and events that could be significant aren’t sufficiently explored or given enough space to breathe before the novel races on to the next thing.
A debut novel with bright spots, but unbalanced and lacking in finesse.Pub Date: Jan. 20, 2026
ISBN: 9780593723739
Page Count: 288
Publisher: Ballantine
Review Posted Online: Nov. 22, 2025
Kirkus Reviews Issue: Jan. 1, 2026
BOOK REVIEW
SEEN & HEARD
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