HAVEN

Three monks seek refuge from worldly temptation on a remote island off the Irish coast.

Great Skellig, a rocky outcrop with no groundwater and scant vegetation, is hardly a promising place to establish a settlement. This matters not at all to Brother Artt, focused on purity and piety to an extent that’s extreme even by the standards of the early Middle Ages. “Does God not visit those who love him in the wildest wastes?” he asks his two companions, who at first are awed by the holy man who has chosen them to serve him on this mission. Taking one of her regular breaks from contemporary fiction, Donoghue has left behind none of her ability to spin a compelling story and people it with sharp characterizations. Young Trian, given to a monastery by his parents at age 13 for an unnamed defect, grows in confidence on the island and becomes increasingly sullen about the endless copying of sacred manuscripts at the expense of pressing tasks like finding food. Elderly Cormac, who came to the cloistered life after the death of his wife and children, has myriad practical skills and an engaging love of storytelling; Christianity for him seems to be a series of marvelous yarns. But even resourceful Cormac struggles to keep the trio alive as winter approaches and Artt’s demands grow increasingly onerous: They must build an altar before a shelter to sleep in; he forbids trade with nearby islands for desperately needed supplies as a source of sinful contamination. Generating narrative tension from a minimum of action, Donoghue brings the monks’ conflicts to a climax when Trian falls ill and a long-kept secret is revealed. Artt’s bigoted response provokes a confrontation that brings the novel to a satisfying conclusion. Reminiscent of Room (2010) in its portrayal of fraught interactions in a confined space, this medieval excursion lacks its bestselling predecessor’s broad appeal, but the author’s more adventurous fans will appreciate her skilled handling of challenging material.

More fine work from the talented Donoghue.