Many, many funny lines, somewhat incoherent plot. But Girl’s job-hunting woes will resonate with lots of readers.
A feminist fable (with a heroine named Girl) from The Nanny Diaries (2002) team.
Girl goes to college. Girl graduates. Girl is hired by a New York activist for women and can’t help wondering why she’s treated like a slave. Did she need a college degree to file and make photocopies for self-righteous, post-menopausal types who think nothing of bursting into her bathroom stall? Plus it’s unbearably humiliating to take orders from gray-haired, pear-shaped women dressed in dowdy black and purple with matching clogs and unsuitably ethnic accessories. Maybe they were cool 30 years ago but not anymore. Girl decides to look for a fabulous new job, along with eight million other people in a nose-diving economy. Okay, she’ll settle for any job. Hey, what about an Internet concern that hopes to add a critical core of affluent, intelligent women to their marketing database? Surely Girl could “leverage”—that brave new word—her brief experience and few contacts into a position there. She wangles an interview with Guy, a smooth talker who more or less runs My Company on the steam generated by all his hot air. Can she sell tampons? You bet—to men. Can she create buzz? Will do—just give her a desk. Guy does. So Girl goes to work, pretty much nonstop, though she manages to have some fun with Buster, a he-man who loves hockey and burlesque shows and is useful for scaring off landlords who videotape bedroom action. Back to My Company: profits are down. Girl gets to fire dozens of people but she stays on, until a bitchy higher-up informs her that from now on MC will offer only XXX-rated content to get its share of the megabillions generated by Internet porn. Is Girl interested? Good old Buster advises her to take the job. Girl finally figures out just how much everything sucks.
Many, many funny lines, somewhat incoherent plot. But Girl’s job-hunting woes will resonate with lots of readers.Pub Date: Dec. 1, 2004
ISBN: 0-7432-6685-4
Page Count: 320
Publisher: Atria
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2004
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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