Intriguing but difficult to follow.
The secret survivor of an AI’s rampage must finally take an active role in the struggle for that AI’s legacy.
On an unnamed planet, artificial intelligences—who would physically interface with select humans trained as archivists—apparently used to have absolute rule over the city-states. But many of these AIs became corrupted, causing carnage and destruction. The human government of the Harbor has salvaged the spare parts of some of these dead AIs and rebuilt them as ENGINEs, mechs under human control. Sunai, a dissipated wanderer who works on salvage rigs, hides the fact that he was once an archivist to the AI Iterate Fractal and that the AI’s corruption while he was interfaced with it has made him seemingly unable to die or suffer permanent physical damage. A drunken encounter with Dr. Veyadi Lut, another former archivist, sets Sunai on a dangerous mission against the Maw, the ENGINE built from the remains of Iterate Fractal. Sunai is forced to confront his troubled past and his conflicted loyalties with old friends and lovers, navigate a complicated new relationship with Veyadi, and contend with the forces marshaled by the Harbor, the Maw, a crime syndicate, and a nameless AI that has become attached to Sunai’s mind. Readers may find themselves desperately searching for more explanatory backstory, which is only partially forthcoming. Interludes told in the second person by at least two different AIs, one of which is supposedly dead (except maybe not?), only add to the confusion. It's not always possible to tell who is narrating or experiencing various moments of the story, as consciousnesses merge and only incompletely separate. There’s definitely some important point being made about the nature of sentience, but it’s not 100% clear what that point is. An author shouldn’t have to overexplain; getting flung into the deep end and figuring out the parameters of a new universe can be a fun genre challenge. But sometimes there is just no clear path out of the pool.
Intriguing but difficult to follow.Pub Date: June 27, 2023
ISBN: 9781250821546
Page Count: 496
Publisher: Tordotcom
Review Posted Online: May 9, 2023
Kirkus Reviews Issue: June 1, 2023
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Suspenseful, full of incident, and not obviously necessary.
Atwood goes back to Gilead.
The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.
Suspenseful, full of incident, and not obviously necessary.Pub Date: Sept. 10, 2019
ISBN: 978-0-385-54378-1
Page Count: 432
Publisher: Nan A. Talese
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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