Amusing but also smart about people and unexpectedly sweet.
Will someone help this poor young woman with her virginity?
Despite being reasonably attractive and chalking up a few near misses, Julia Greenfield has reached the age of 26 without having sex. Now it’s all she can think about. “Untouched. Like a flower suffocating in its own air. Like something pickling in its own juices. Something that badly needs to be turned inside out, banged right.” Her obsession with this issue is magnified by the fact that she’s lost the focus once provided by her nearly-but-not-quite Olympic swimming career. Since she hates her job, there’s nothing to keep her in the D.C. suburb where she’s moved after college, but she can’t go home because her parents have rented out their house and gone to Costa Rica. So she ends up spending the summer with her dowager Aunt Vivienne in North Carolina. Terrifyingly, Viv turns out to be a virgin, too, and the dull small town she lives in looks like part of the problem. Nonetheless, Julia forges gamely on. A contributor to the New Yorker's “Shouts and Murmurs” humor column, Rathbone (The Patterns of Paper Monsters, 2010) reliably wrings the humor out of this situation, but more impressively, she manages to evoke its poignancy. Julia’s longing is revealed in moments like this, watching a friend with her boyfriend: “he put his hand on her chest, kind of fit his fingers above her collarbone as if it was a ridge on a rock face and he was going to climb her. I’d thought about that for a long time.” Also nuanced is the uncomfortable relationship between aunt and niece, in which both withhold more than they give.
Amusing but also smart about people and unexpectedly sweet.Pub Date: July 19, 2016
ISBN: 978-1-59463-477-2
Page Count: 272
Publisher: Riverhead
Review Posted Online: April 12, 2016
Kirkus Reviews Issue: May 1, 2016
BOOK REVIEW
PROFILES
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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