This winning paranormal uses witchcraft to explore adolescent rebellion.
It is Halloween when Moth Hush finds out she is descended from a line of witches.
Her mother reveals the story of their witch origins going back to 17th-century Europe, which Moth’s maternal grandmother, Sarah, fled along with her order for supposed safety in Founder’s Bluff, Massachusetts, only to find persecution there. Led by Sarah, the witches escaped the wrath of the Puritans through a blood ritual that opened a portal to Hecate, a spiritual realm that provided safety. Moth’s mother rebelled and broke away from the coven to live in the real world, ultimately as a single parent to Moth in the 21st century. After a talking black cat (the spirit of a deceased neighbor) appears and befriends Moth, Moth peeks at her mother’s diary—which opens a portal to Hecate, and Moth secretly begins to practice spells unsupervised and to connect with her family there. Moth and family sort through a complicated lineage whose legacy reveals itself to be very much alive in present-day Founder’s Bluff. In Steinkellner’s graphic panels, Moth and her family have brown skin and puffy dark hair, and the 17th-century coven is shown to be multiracial. The complex history provides a mechanism through which Moth sorts through her own coming-of-age as a modern girl of color, and it’s the loving, oftentimes humorous rapport among the Hush women that grounds this graphic novel.
This winning paranormal uses witchcraft to explore adolescent rebellion. (Graphic fantasy. 10-14)Pub Date: Sept. 3, 2019
ISBN: 978-1-5344-3146-1
Page Count: 272
Publisher: Aladdin
Review Posted Online: May 11, 2019
Kirkus Reviews Issue: June 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Brava!
From award winner Telgemeier (Smile, 2010), a pitch-perfect graphic novel portrayal of a middle school musical, adroitly capturing the drama both on and offstage.
Seventh-grader Callie Marin is over-the-moon to be on stage crew again this year for Eucalyptus Middle School’s production of Moon over Mississippi. Callie's just getting over popular baseball jock and eighth-grader Greg, who crushed her when he left Callie to return to his girlfriend, Bonnie, the stuck-up star of the play. Callie's healing heart is quickly captured by Justin and Jesse Mendocino, the two very cute twins who are working on the play with her. Equally determined to make the best sets possible with a shoestring budget and to get one of the Mendocino boys to notice her, the immensely likable Callie will find this to be an extremely drama-filled experience indeed. The palpably engaging and whip-smart characterization ensures that the charisma and camaraderie run high among those working on the production. When Greg snubs Callie in the halls and misses her reference to Guys and Dolls, one of her friends assuredly tells her, "Don't worry, Cal. We’re the cool kids….He's the dork." With the clear, stylish art, the strongly appealing characters and just the right pinch of drama, this book will undoubtedly make readers stand up and cheer.
Brava! (Graphic fiction. 10-14)Pub Date: Sept. 1, 2012
ISBN: 978-0-545-32698-8
Page Count: 240
Publisher: Graphix/Scholastic
Review Posted Online: July 21, 2012
Kirkus Reviews Issue: Aug. 1, 2012
SEEN & HEARD
A rather unsatisfying graphic novel, sure to disappoint fans of Ellis’ book.
A graphic-novel adaptation of Ellis’ heartwarming story of Parvana, a young girl in Afghanistan who cuts her hair and dresses as a boy to earn money for her family when her father is imprisoned by the Taliban.
Adding a layer of remove from the original, this graphic novel is an adaptation of the upcoming film version, and it varies significantly from the original book. Notable deviations include the absence of helpful Mrs. Weera, who provides so much support to Parvana and her family in the original book, and two new details: a grudging former student who tattles on Parvana’s father and Parvana’s solo visit to rescue her imprisoned father. Much story is lost as a result of the numerous deviations, which also sadly promote Western views of Afghanistan, such as rampant corruption and violent men. Even as a stand-alone title for readers not familiar with the book, the storyline is bumpy, moving in fits and starts. At one point, Parvana’s mother decides to abandon Parvana and leave for the neighboring village but then changes her mind midway. Another disappointment is the book cover, which shows Parvana selling chai, something she does not do in either story (although her friend does). The only redeeming factor is the beautiful artwork, stills from the film, with its vivid use of colors to display context, such as use of red for war and black for the Taliban rule.
A rather unsatisfying graphic novel, sure to disappoint fans of Ellis’ book. (Graphic historical fiction. 10-14)Pub Date: Jan. 1, 2018
ISBN: 978-1-77306-118-4
Page Count: 80
Publisher: Groundwood
Review Posted Online: Dec. 2, 2017
Kirkus Reviews Issue: Jan. 1, 2018
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