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DAUGHTER OF TIME: BOOK 1

A richly detailed, compelling story about the power of love.

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An original take on various sci-fi motifs that meditates on themes of love and humanity.

Traversing time and space, Stebbins’ space opera follows the long journey of a singularly gifted Earth girl named Ambra Dawn, who might just be the savior of the entire universe. Even as a young girl among humans, Ambra was different. Odd and strange, she possessed an ability coveted by all alien species: a gift to see the future and the past, the result of a tumor growing in her brain. Unbeknownst to the inhabitants of Earth, an insectlike alien race called the Dram rules from the shadows. Influencing culture and politics, they’re here to guide human evolution toward producing Readers—those, like Ambra, who possess the ability to guide Dram ships through the Orbs. With tendrils reaching out, Orbs allow for instantaneous space travel, but what the Orbs truly are is unknown and debated. Ambra’s idyllic life in farm country is destroyed when humans working for the Dram come and take her. In an institution, she’s tested, beaten and experimented on. Horrific surgeries mutilate and blind her, and her skull is removed to give her tumor room to grow. The only escape Ambra has is to travel through time, back into history on her own to learn and experience life. But, since the Dram don’t realize she has surpassed every other Reader in terms of power and ability, Ambra is taken from Earth and sold into slavery. Stebbins does an exceptional job creating unique, detailed alien races, from the dreadful, cruel Dram to the octopuslike Sortax who live in water and the Xix, who rescue Ambra from enslavement. Long, lean, four-armed, intelligent and kind, the Xix work to prevent cruelty against the lesser races. Two Xixians, Waythrel and Thel, are especially strong alien characters who act as guides for Ambra, helping her develop her abilities. Although the first half of the novel suffers from too much telling and too little action, the second half comes alive. Ambra, able to travel through Orbs like no one before, takes on the Dram in a dramatic conflict that leads to her facing the Dram emperor. In order to free the universe of the Dram scourge, Ambra must make a heart-wrenching choice: the universe or Earth. Eventually, the novel takes a slightly odd turn toward metafiction, as Ambra informs the reader that they, too, have a part in saving the Earth.

A richly detailed, compelling story about the power of love.

Pub Date: May 1, 2013

ISBN: 978-0989000444

Page Count: 312

Publisher: Twice Pi Press

Review Posted Online: June 14, 2013

Kirkus Reviews Issue: Aug. 15, 2013

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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