by Erec Stebbins ‧ RELEASE DATE: May 1, 2013
A richly detailed, compelling story about the power of love.
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An original take on various sci-fi motifs that meditates on themes of love and humanity.
Traversing time and space, Stebbins’ space opera follows the long journey of a singularly gifted Earth girl named Ambra Dawn, who might just be the savior of the entire universe. Even as a young girl among humans, Ambra was different. Odd and strange, she possessed an ability coveted by all alien species: a gift to see the future and the past, the result of a tumor growing in her brain. Unbeknownst to the inhabitants of Earth, an insectlike alien race called the Dram rules from the shadows. Influencing culture and politics, they’re here to guide human evolution toward producing Readers—those, like Ambra, who possess the ability to guide Dram ships through the Orbs. With tendrils reaching out, Orbs allow for instantaneous space travel, but what the Orbs truly are is unknown and debated. Ambra’s idyllic life in farm country is destroyed when humans working for the Dram come and take her. In an institution, she’s tested, beaten and experimented on. Horrific surgeries mutilate and blind her, and her skull is removed to give her tumor room to grow. The only escape Ambra has is to travel through time, back into history on her own to learn and experience life. But, since the Dram don’t realize she has surpassed every other Reader in terms of power and ability, Ambra is taken from Earth and sold into slavery. Stebbins does an exceptional job creating unique, detailed alien races, from the dreadful, cruel Dram to the octopuslike Sortax who live in water and the Xix, who rescue Ambra from enslavement. Long, lean, four-armed, intelligent and kind, the Xix work to prevent cruelty against the lesser races. Two Xixians, Waythrel and Thel, are especially strong alien characters who act as guides for Ambra, helping her develop her abilities. Although the first half of the novel suffers from too much telling and too little action, the second half comes alive. Ambra, able to travel through Orbs like no one before, takes on the Dram in a dramatic conflict that leads to her facing the Dram emperor. In order to free the universe of the Dram scourge, Ambra must make a heart-wrenching choice: the universe or Earth. Eventually, the novel takes a slightly odd turn toward metafiction, as Ambra informs the reader that they, too, have a part in saving the Earth.
A richly detailed, compelling story about the power of love.Pub Date: May 1, 2013
ISBN: 978-0989000444
Page Count: 312
Publisher: Twice Pi Press
Review Posted Online: June 14, 2013
Kirkus Reviews Issue: Aug. 15, 2013
Review Program: Kirkus Indie
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
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by Paulo Coelho ; illustrated by Christoph Niemann ; translated by Margaret Jull Costa
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by Paulo Coelho ; translated by Eric M.B. Becker
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by Paulo Coelho ; translated by Zoë Perry
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