Kimmel and Krenina (The Magic Dreidels, 1996, etc.) reconstruct a literary fairy tale from a story by Rabbi Nachman of Bratslav. In Kimmel's version, the tailor Haskel from Tzafat is in love with the Moon. He dreams that she has asked him for a cloak to keep her warm in the cold night sky, but he doesn't know how he will make an appropriately large and flexible garment. Acting on a tip from one of his uncle's apprentices, he sails to China and travels to a mountain city called "The Roof of the World" in search of a fabled cloth woven from light. Krenina here places lotus blossoms and Buddha faces among the winding decorations of leaves and flowers. The secret of spinning thread from light, once known in this city, has been lost, and the hem of the traditional royal wedding gown, whose fabric can fit any wearer perfectly, has come undone. Puzzling over the mystery with a magnifying glass in the moonlight, the tailor discovers that the concentrated light causes the thread to grow. He repairs the wedding dress so that the princess can be married. From a gift of a bit of the gown's thread he weaves a cloth of light, and thus is able to sew a cloak for the Moon. Krenina's gouache illustrations are both comical and poignant, lending an appropriately nimble and graceful touch to the tale. In an author's note, Kimmel identifies his source as one of the mystical tales of Rabbi Nachman, without further elaboration on the tale itself. While not obviously reflective of its Hasidic roots, the retelling is satisfying both as a story of devotion and determination and as a magical look at the nature of light. (Picture book. 4-8)
Pub Date: March 15, 2001
ISBN: 0-8234-1493-0
Page Count: 32
Publisher: Holiday House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2001
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
An invitation to wonder, imagine and look at everything (humans included) in a new way.
A young boy sees things a little differently than others.
Noah can see patterns in the dust when it sparkles in the sunlight. And if he puts his nose to the ground, he can smell the “green tang of the ants in the grass.” His most favorite thing of all, however, is to read. Noah has endless curiosity about how and why things work. Books open the door to those answers. But there is one question the books do not explain. When the wind comes whistling by, where does it go? Noah decides to find out. In a chase that has a slight element of danger—wind, after all, is unpredictable—Noah runs down streets, across bridges, near a highway, until the wind lifts him off his feet. Cowman’s gusty wisps show each stream of air turning a different jewel tone, swirling all around. The ribbons gently bring Noah home, setting him down under the same thinking tree where he began. Did it really happen? Worthington’s sensitive exploration leaves readers with their own set of questions and perhaps gratitude for all types of perspective. An author’s note mentions children on the autism spectrum but widens to include all who feel a little different.
An invitation to wonder, imagine and look at everything (humans included) in a new way. (Picture book. 4-8)Pub Date: April 14, 2015
ISBN: 978-1-60554-356-7
Page Count: 32
Publisher: Redleaf Lane
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
