Old World storytelling in a sparkling, novel setting—a delight.
A polar bear, a brave boy and an early-20th-century shipwreck play equal roles in this Hanukkah story filled with its own set of miracles.
Simon’s mother lovingly packs food for his voyage to America, including key elements so he can observe Hanukkah: “A little menorah, a box of candles, matches, a dreidel, and plenty of latkes.” The ship, badly damaged after hitting a giant iceberg, begins to sink. Simon generously gives up his spot on a lifeboat to a bearded man in a fur coat desperate to reach his son in New York. Alone, Simon leaps from the ship’s bow onto the iceberg and wonders if on this first night of Hanukkah a miracle might happen to save his life. Soon after, a polar bear climbs the iceberg. Though fearful, Simon shares food and lights the menorah—then sleeps cozily in the warmth of the bear’s fur. This sharing continues for a miraculous seven days until a passing ship’s crew rescues Simon on the last night of Hanukkah. As in the newly revised Hanukkah Bear, illustrated by Mike Wohnoutka (2013), Kimmel effectively uses the large, furry beast to blend themes of miracles, faith and an innocent’s altruism. Trueman’s illustrations, a combination of collage, crushed paper cutouts and acrylics in icy blue tones, create glittery scenes of a desolate ocean offset by warm yellow glows from the menorah candles. His bear is particularly charming.
Old World storytelling in a sparkling, novel setting—a delight. (Picture book. 5-8)Pub Date: Sept. 2, 2014
ISBN: 978-1-4231-4355-0
Page Count: 40
Publisher: Disney-Hyperion
Review Posted Online: Aug. 11, 2014
Kirkus Reviews Issue: Sept. 1, 2014
Only for dedicated fans of the series.
When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.
“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.
Only for dedicated fans of the series. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-4926-4894-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
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