Three Princes (1994). (Picture book/folkore. 5-9)
Broadly echoing the story of Adam and Eve, Kimmel retells the Aztec legend of Ixcocauqui, son of the sun god, and
Coyolxauhqui, daughter of the goddess of the moon. Temptation has prompted Ixcocauqui to disobey his father's command never to leave the precincts of the jade palace. During his foray beyond the walls, he meets Coyolxauhqui and they fall helplessly in love. Ixcocauqui admits his trespass to his father, who, while mightily displeased, consents to their wedding—as long as they vow never to visit the Earth below, on pain of death. Not surprisingly, the Earth proves too seductive and the two of them are caught and turned into mortals, and Coyolxauhqui dies young. They do remain inseparable, the Aztec story goes, and can be seen today as twin mountains in the Valley of Mexico. No punches pulled here: the workings of fate lay heavily on the page, and the consequences attending defiance are neither small nor laughing matters, visiting Ixcocauqui and Coyolxauhqui with speedy doom. Adding to the air of otherworldliness, Fisher's shimmering artwork gives the gods an elusive, incorporeal quality. Distinguished storytelling by the team that produced The
Three Princes (1994). (Picture book/folkore. 5-9)Pub Date: March 15, 2000
ISBN: 0-8234-1504-X
Page Count: 32
Publisher: Holiday House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2000
Miranda’s book counts the monsters gathering at a birthday party, while a simple rhyming text keeps the tally and surveys the action: “Seven starved monsters are licking the dishes./Eight blow out candles and make birthday wishes.” The counting proceeds to ten, then by tens to fifty, then gradually returns to one, which makes the monster’s mother, a purple pin-headed octopus, very happy. The book is surprisingly effective due to Powell’s artwork; the color has texture and density, as if it were poured onto the page, but the real attention-getter is the singularity of every monster attendee. They are highly individual and, therefore, eminently countable. As the numbers start crawling upward, it is both fun and a challenge to try to recognize monsters who have appeared in previous pages, or to attempt to stay focused when counting the swirling or bunched creatures. The story has glints of humor, and in combination with the illustrations is a grand addition to the counting shelf. (Picture book. 3-8)
Pub Date: Aug. 1, 1999
ISBN: 0-15-201835-2
Page Count: 32
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1999
The Pumpkin Book (32 pp.; $16.95; Sept. 15; 0-8234-1465-5): From seed to vine and blossom to table, Gibbons traces the growth cycle of everyone’s favorite autumn symbol—the pumpkin. Meticulous drawings detail the transformation of tiny seeds to the colorful gourds that appear at roadside stands and stores in the fall. Directions for planting a pumpkin patch, carving a jack-o’-lantern, and drying the seeds give young gardeners the instructions they need to grow and enjoy their own golden globes. (Picture book. 4-8)
Pub Date: Sept. 15, 1999
ISBN: 0-8234-1465-5
Page Count: 32
Publisher: Holiday House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1999
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