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AN INEXPLICABLE ATTRACTION

MY FIFTY YEARS OF OCEAN SAILING

An intrepid, educational, and thoroughly enjoyable voyage.

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A live-aboard sailor recalls five decades and 300,000 nautical miles at sea in this debut memoir with an environmentalist edge.

Forsyth admits that he’s partial to the idea of escape. For starters, he escaped working in the cotton mills of Lancashire, England, by going to university and then joining the Royal Air Force. When his squadron was disbanded, he escaped England for Canada, emigrating in 1957 with his future wife, Edith. Soon, sailing also became a form of escape in itself. He and Edith had their first taste of it in 1961, chartering two bunks on a 78-foot ketch sailing around the tropics. After crewing on a number of other vessels, the couple purchased their first boat, Iona, in 1965. The memoir then documents the building and captaining of Fiona, a 42-foot cutter upon which Forsyth would do most of his travels. There were many breathtaking voyages, including two global circumnavigations and trips to the Arctic and Antarctic, the Baltic Sea, and the Panama Canal, among others. The memoir is also a tender love letter to Edith, who died in 1991. The tone of the book is likable from the outset; Forsyth is knowledgeable, earnest, and endearingly modest given the magnitude of his achievements. His sense of understatement is typified in his account of meeting the prime minister of Tonga: “As I sauntered up in my scruffy shorts and t-shirt, the Prime Minister was handing out long service medals to local officials. Despite my appearance, I was invited to the official luncheon, which was already laid out on the grass, covered with lace to keep the flies off.” Yet beneath Forsyth’s affable raconteurship lies a vital message, as during 50 years of sailing, he’s witnessed an alarming change to the environment: “I have often wondered which societies that I have visited by boat would be able to survive in a post-fossil fuel age.” This is a lovingly compiled work, with charts and photographs that effectively complement the narrative. It will be a joy for anyone familiar with deep-water sailing and an inspiration for those eager to try it.

An intrepid, educational, and thoroughly enjoyable voyage.

Pub Date: March 31, 2017

ISBN: 978-0-692-83925-6

Page Count: 400

Publisher: Yacht Fiona

Review Posted Online: Feb. 28, 2018

Kirkus Reviews Issue: April 15, 2018

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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