All the author’s formal risks result in well-earned rewards.
The slow-burn story of Tarek, a Levantine Christian doctor whose life seems prescribed for him in every matter, even love.
As the book opens during Tarek’s boyhood in 1960s Cairo, an omniscient speaker says: “You were of an age to have no life plans beyond what others devised for you. Was it really just a matter of age, though?” The use of “you” throughout the first section creates a distinct separation between Tarek and the speaker, but there’s still a sense of intimacy. The speaker seems to know and deeply feel everything they write about Tarek’s life. Questions of who this speaker is, and whether it could be Tarek himself, hover over a good portion of the novel. Point of view plays an essential role in how the story unfolds over the course of three sections, titled “You,” “Me,” and “Us.” Tarek follows the path expected of him. He becomes a successful doctor with a practice in Dokki and a clinic in Mokattam, and he gets married. “In the Armenian tradition, it fell to your wife’s mother to welcome you into your new home. She offered you a spoonful of honey with nuts, to wish you a sweet life. The spell lasted barely a year.” Tarek’s daily routine is shaken when he meets Ali, who arrives at the clinic seeking help for his mother. The initial medical appointment turns into many visits Tarek pays to Ali and his mother, which now include dinner and conversation. Ali’s mother, whose health has deteriorated, asks Tarek to let Ali work at the clinic. He agrees, and the bond between Ali and Tarek becomes even stronger. Then everything changes for Tarek in a moment: “You were like a child who seizes a momentary lapse in their parent’s attention to open a box of matches. The child doesn’t know when exactly it will happen, or what kind of fire they will spark. But they understand the possibility, however remote.” As they so often do, the speaker adeptly locates a metaphor for the situation and the feelings that result. Chacour’s exceptional restraint in divulging information lets the tension build, carrying the book into the revelation of who is writing Tarek’s story.
All the author’s formal risks result in well-earned rewards.Pub Date: Sept. 24, 2024
ISBN: 9781552454855
Page Count: 232
Publisher: Coach House Books
Review Posted Online: Aug. 3, 2024
Kirkus Reviews Issue: Sept. 1, 2024
Haig’s positive message will keep his fans happy.
A British widow travels to Ibiza and learns that it’s never too late to have a happy life.
In a world that seems to be getting more unstable by the moment, Haig’s novels are a steady ship in rough seas, offering a much-needed positive message. In works like the bestselling The Midnight Library (2020), he reminds us that finding out what you truly love and where you belong in the universe are the foundations of building a better existence. His latest book continues this upbeat messaging, albeit in a somewhat repetitive and facile way. Retired British schoolteacher Grace Winters discovers that an old acquaintance has died and left her a ramshackle home in Ibiza. A widow who lost her only child years earlier, Grace is at first reluctant to visit the house, because, at 72, she more or less believes her chance for happiness is over—but when she rouses herself to travel to the island, she discovers the opposite is true. A mystery surrounds her friend’s death involving a roguish islander, his activist daughter, an internationally famous DJ, and a strange glow in the sea that acts as a powerful life force and upends Grace’s ideas of how the cosmos works. Framed as a response to a former student’s email, the narrative follows Grace’s journey from skeptic (she was a math teacher, after all) to believer in the possibility of magic as she learns to move on from the past. Her transformation is the book’s main conflict, aside from a protest against an evil developer intent on destroying Ibiza’s natural beauty. The outcome is never in doubt, and though the story often feels stretched to the limit—this novel could have easily been a novella—the author’s insistence on the power of connection to change lives comes through loud and clear.
Haig’s positive message will keep his fans happy.Pub Date: Sept. 3, 2024
ISBN: 9780593489277
Page Count: 368
Publisher: Viking
Review Posted Online: Aug. 3, 2024
Kirkus Reviews Issue: Sept. 1, 2024
A vibrant tale of a remarkable woman.
Who was Shakespeare?
Move over, Earl of Oxford and Francis Bacon: There’s another contender for the true author of plays attributed to the bard of Stratford—Emilia Bassano, a clever, outspoken, educated woman who takes center stage in Picoult’s spirited novel. Of Italian heritage, from a family of court musicians, Emilia was a hidden Jew and the courtesan of a much older nobleman who vetted plays to be performed for Queen Elizabeth. She was well traveled—unlike Shakespeare, she visited Italy and Denmark, where, Picoult imagines, she may have met Rosencrantz and Guildenstern—and was familiar with court intrigue and English law. “Every gap in Shakespeare’s life or knowledge that has had to be explained away by scholars, she somehow fills,” Picoult writes. Encouraged by her lover, Emilia wrote plays and poetry, but 16th-century England was not ready for a female writer. Picoult interweaves Emilia’s story with that of her descendant Melina Green, an aspiring playwright, who encounters the same sexist barriers to making herself heard that Emilia faced. In alternating chapters, Picoult follows Melina’s frustrated efforts to get a play produced—a play about Emilia, who Melina is certain sold her work to Shakespeare. Melina’s play, By Any Other Name, “wasn’t meant to be a fiction; it was meant to be the resurrection of an erasure.” Picoult creates a richly detailed portrait of daily life in Elizabethan England, from sumptuous castles to seedy hovels. Melina’s story is less vivid: Where Emilia found support from the witty Christopher Marlowe, Melina has a fashion-loving gay roommate; where Emilia faces the ravages of repeated outbreaks of plague, for Melina, Covid-19 occurs largely offstage; where Emilia has a passionate affair with the adoring Earl of Southampton, Melina’s lover is an awkward New York Times theater critic. It’s Emilia’s story, and Picoult lovingly brings her to life.
A vibrant tale of a remarkable woman.Pub Date: Aug. 20, 2024
ISBN: 9780593497210
Page Count: 544
Publisher: Ballantine
Review Posted Online: June 15, 2024
Kirkus Reviews Issue: July 15, 2024
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