by Eric Coyote ‧ RELEASE DATE: Nov. 28, 2015
A harsh film-industry coming-of-age story.
Coyote (Invaders from the Outer Rim, 2015, etc.) delivers a novel about a young man making his way in Hollywood.
In 1988, Samuel Reuben, an aspiring screenwriter, arrives in Los Angeles. He’s fled his Hasidic upbringing in New York City to enroll in the University of Southern California’s famous film program. Despite his aspirations, it doesn’t take long for him to learn that there’s plenty of darkness in sunny California. He’s mugged and questioned about his sexuality during his very first day on campus, so it’s clear that Samuel’s adventures in LA won’t be easy. He eventually drops out of school, takes temp jobs, and comes to terms with the strange ways of the film industry; at one point, for example, Samuel’s boss has sex with Samuel’s date at the company Christmas party. Samuel keeps writing despite the fact that just about everyone else in LA seems to be working on a screenplay. But will he ever be able to find the right mix of luck and content to make it in such a twisted world? The novel offers some vulgar sentiments; for example, when someone rewrites one of Samuel’s scripts, Samuel describes it as “taking my baby and sticking his cock up the baby’s ass.” There’s also plenty of loveless sexual activity in this cruel vision of LA. That said, Coyote’s portrayal of the city manages to be friendlier than those drawn by, say, Bret Easton Ellis. The book also features cameos by Hollywood figures such as director and producer Irwin Allen. Overall, the story of Samuel’s struggle to become a writer can be redundant at times, and it will be obvious to perceptive readers that his success won’t take place in early chapters, if it ever does. The narrative keeps moving forward, though, and some readers will be intrigued by guessing what type of Hollywood depravity will occur next. Surprises happen, characters remain eager for big breaks, and the fate of a once-innocent kid in an unscrupulous place remains up in the air until the very end.
A harsh film-industry coming-of-age story.Pub Date: Nov. 28, 2015
ISBN: N/A
Page Count: 209
Publisher: CreateSpace
Review Posted Online: Jan. 26, 2016
Review Program: Kirkus Indie
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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