by Eric Dean Wilson ‧ RELEASE DATE: July 6, 2021
Wilson occasionally overreaches but nonetheless provides ingenious food for thought.
An unsettling exploration of the history and cultural influence of air conditioning and refrigerants.
In his first book, journalist and educator Wilson shows us how “studying cooling can help us understand global heating,” offering an important reminder about the problems associated with refrigerant chemicals. “We’ve launched nearly ungraspable amounts of refrigerant into the stratosphere without thinking,” he writes, “and still, we hardly notice them.” Hailed as a miracle when it was introduced to the public in 1930, Freon quickly became the world’s leading refrigerant because, unlike its predecessors, it was nontoxic and nonflammable. But chemists discovered that Freon destroys the stratospheric ozone layer. In a move still hailed as the single most successful international agreement, the 1987 Montreal Protocol required nations to phase out ozone-depleting chemicals. Refrigerants are now chemically related to Freon but much less harmful to ozone. So what’s the problem? It turns out that the entire Freon family consists of potent greenhouse gases—thousands of times more so than the carbon dioxide created from burning fossil fuels. Having absorbed this shocking information early on, readers may expect Wilson to sound the alarm and urge climate activists to pay attention. Although that’s an ongoing theme, the author has not written a polemic but rather a philosophical attack on the free market and capitalism, which drive our obsession with personal comfort. According to Wilson, this began in 19th-century America with industrial cooling, invented for factory owners who had no interest in workers but needed to “condition” air to benefit machines and products. After World War II, technical progress and the use of Freon produced home and auto air conditioners. Postwar housing, featuring picture windows, concrete floors, and low ceilings, “required air-conditioning,” and public spaces emptied as people sealed themselves inside. Wilson maintains that this love of personal comfort, regardless of community and environmental costs, is a mark of “escalating imperialism, spreading capitalism, the accelerating exploitation of workers, [and] the continuation of racist and classist ideas about the value of certain bodies over others.”
Wilson occasionally overreaches but nonetheless provides ingenious food for thought.Pub Date: July 6, 2021
ISBN: 978-1-982111-29-8
Page Count: 448
Publisher: Simon & Schuster
Review Posted Online: May 12, 2021
Kirkus Reviews Issue: June 1, 2021
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by Amy Tan ; illustrated by Amy Tan ‧ RELEASE DATE: April 23, 2024
An ebullient nature lover’s paean to birds.
A charming bird journey with the bestselling author.
In his introduction to Tan’s “nature journal,” David Allen Sibley, the acclaimed ornithologist, nails the spirit of this book: a “collection of delightfully quirky, thoughtful, and personal observations of birds in sketches and words.” For years, Tan has looked out on her California backyard “paradise”—oaks, periwinkle vines, birch, Japanese maple, fuchsia shrubs—observing more than 60 species of birds, and she fashions her findings into delightful and approachable journal excerpts, accompanied by her gorgeous color sketches. As the entries—“a record of my life”—move along, the author becomes more adept at identifying and capturing them with words and pencils. Her first entry is September 16, 2017: Shortly after putting up hummingbird feeders, one of the tiny, delicate creatures landed on her hand and fed. “We have a relationship,” she writes. “I am in love.” By August 2018, her backyard “has become a menagerie of fledglings…all learning to fly.” Day by day, she has continued to learn more about the birds, their activities, and how she should relate to them; she also admits mistakes when they occur. In December 2018, she was excited to observe a Townsend’s Warbler—“Omigod! It’s looking at me. Displeased expression.” Battling pesky squirrels, Tan deployed Hot Pepper Suet to keep them away, and she deterred crows by hanging a fake one upside down. The author also declared war on outdoor cats when she learned they kill more than 1 billion birds per year. In May 2019, she notes that she spends $250 per month on beetle larvae. In June 2019, she confesses “spending more hours a day staring at birds than writing. How can I not?” Her last entry, on December 15, 2022, celebrates when an eating bird pauses, “looks and acknowledges I am there.”
An ebullient nature lover’s paean to birds.Pub Date: April 23, 2024
ISBN: 9780593536131
Page Count: 320
Publisher: Knopf
Review Posted Online: Jan. 19, 2024
Kirkus Reviews Issue: Feb. 15, 2024
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SEEN & HEARD
by Alok Vaid-Menon ‧ RELEASE DATE: June 2, 2020
A fierce, penetrating, and empowering call for change.
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Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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by Shavone Charles ; illustrated by Ashley Lukashevsky
by Leo Baker ; illustrated by Ashley Lukashevsky
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