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THE TENANT LAWYER

A notable debut that infuses an engrossing legal procedural with deep empathy.

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A young attorney struggles to humanize the law—and himself—in this quietly absorbing legal tale.

Fired from his high-powered Boston law firm for an unseemly attack of conscience, 32-year-old Mark Langley has descended to the lowest rung of the lawyering trade as a legal services attorney doing eviction cases in his blue-collar hometown of Worcester, Mass. In the assembly-line proceedings of Housing Court, there’s little he can do for his impoverished clients—many of them tenants in the town’s bleak housing projects—except postpone the day they’ll be evicted. Then a case comes along with a mixture of technicalities and pathos that grabs his attention: a single mom faces eviction from public housing because her son was arrested on drug charges; a guilty verdict would cause her other son to lose his college scholarship. While he pursues a long-shot trial in the case, Mark also squares off against the haughty mandarins in his old firm to challenge the corrupt diversion of anti-poverty funds to a well-connected developer. In his first novel, Dinnocenzo, himself an attorney with legal-services experience, ventures into John Grisham territory—a callow, idealistic lawyer battles the establishment—but with less histrionics and more social insight. Poverty, chaos and infuriating regulations precipitate one crisis after another in the lives of his underclass strivers. The seemingly low-stakes Housing Court becomes an arena of tense legal strategizing and real drama, where verdicts destroy families. Writing in a limpid, nuanced prose, Dinnocenzo crafts sharp but subtle portraits of his characters and their agonizing dilemmas. Mark in particular is a flawed but appealing hero plagued by self-doubt and courtroom stage fright. He’s torn between glittering yuppie Boston and dilapidated Worcester as he obsessively sharpens his arguments in pursuit of justice for people who can’t afford it otherwise.

A notable debut that infuses an engrossing legal procedural with deep empathy.

Pub Date: Nov. 18, 2011

ISBN: 978-1462004775

Page Count: 264

Publisher: iUniverse

Review Posted Online: Feb. 10, 2012

Kirkus Reviews Issue: March 1, 2012

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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