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DEATH IN MUD LICK

A COAL COUNTRY FIGHT AGAINST THE DRUG COMPANIES THAT DELIVERED THE OPIOID EPIDEMIC

Timely, depressing, engrossing reportage on an issue that can’t receive too much attention.

A Pulitzer Prize–winning investigative reporter delivers his entry in the (sadly) growing literature about the opioid epidemic ravaging the country.

As a reporter at the small-circulation Charleston Gazette-Mail in Charleston, West Virginia, Eyre won the Pulitzer for his writing on the huge shipments of opioids entering his region and how opioid manufacturers, wholesale distributors, and unethical doctors and pharmacists combined to put fatal doses of the dangerous painkillers into the hands of desperate patients. There have been numerous recent books about the opioid crisis—readers can’t go wrong with Sam Quinones’ Dreamland, Beth Macy’s Dopesick, or Chris McGreal’s American Overdose—and Eyre covers some of the same ground. However, what distinguishes his book is the author’s emphasis on the massive but nearly anonymous wholesale distributors Cardinal Health, AmerisourceBergen, and McKesson, among others. Those companies shipped millions of pills to small-town pharmacies that never could have needed such volumes; for instance Kermit, which has a population of less than 400 and was “drowning in prescription painkillers.” Eyre clearly explains how the Drug Enforcement Administration and the West Virginia Board of Pharmacy could have ameliorated the flood of pills but did nothing. Another powerful actor who enabled the epidemic was West Virginia’s attorney general, Patrick Morrisey, a Republican politician who lied about his involvement and failed to recuse himself while his wife received payment from Cardinal Health as a lobbyist. While battling for disclosures via freedom of information lawsuits in the courts, Eyre located numerous victims of the indiscriminate pill shipments, including many users who had buried multiple family members and friends after they overdosed. Unsurprisingly, his accounts of his interactions with them are disturbing, moving, and heart-wrenching. Portions of the narrative feature first-person narration, as the author illuminates how time-consuming, budget-busting investigative journalism functions despite circumstances that mitigate against it. The drama ratchets up as Eyre battles early-onset Parkinson’s disease.

Timely, depressing, engrossing reportage on an issue that can’t receive too much attention.

Pub Date: March 31, 2020

ISBN: 978-1-9821-0531-0

Page Count: 304

Publisher: Scribner

Review Posted Online: Nov. 23, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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I KNOW WHY THE CAGED BIRD SINGS

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."

Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Pub Date: Feb. 1, 1969

ISBN: 0375507892

Page Count: 235

Publisher: Random House

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: Feb. 1, 1969

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