A delightful, compelling fantasy adventure sure to win fans.
In this middle-grade novel, three children journey in a magical boat to help reunite humans with the elemental world.
It’s a sad day for the white Temple family when it has to leave Honey Creek Farm for the city. Before leaving, Julie, 11, and her almost two years younger brother, Leo, make several surprising discoveries, including a little bottle with an exquisitely made tiny ship inside, complete with a swan figurehead. They also meet a little man called Curly Beard, who explains how they can sail in the magical boat. But it’s not a toy; a crucial plan is afoot to save Earth from ecological disaster by reuniting humans with elementals like Curly Beard, “little folk…such as elves, fairies, wights, imps,” and more. (It’s unclear what these Old World beings are doing in what’s apparently North America.) Joining their mission is a new neighbor, Annabel, a pretty black girl around Leo’s age who walks with crutches. Healing the planet begins with aiding the Queen of the Waters, but first, the children must free Curly Beard, who’s been captured. Their path will be filled with danger and difficulty—but the kids have guides, resources, courage, and good hearts to help them. Many writers have tried to conjure up that true feeling of magic in their fantasy adventures, but Müller (Rounding the Cape of Good Hope, 2018, etc.) is one of the few who succeed. Lush, appealing descriptions stand out, as in an area packed with hundreds of captivating temptations that the children must resist: rooms full of sweet songbirds; “every imaginable toy”; intriguing weapons; jugglers and acrobats; and much more. Like C.S. Lewis, Müller offers effective characterizations (some may object to Annabel’s being described as “lame,” but her point of view is represented) and an exciting plot that’s ballasted by moral seriousness. The quest’s puzzles and challenges are original and involving, and the ending is genuinely moving. It also suggests further escapades to come—let’s hope so.
A delightful, compelling fantasy adventure sure to win fans.Pub Date: Dec. 7, 2013
ISBN: 978-1-936367-44-3
Page Count: 336
Publisher: The Association of Waldorf Schools of North America
Review Posted Online: Aug. 13, 2019
Kirkus Reviews Issue: Oct. 1, 2019
Review Program: Kirkus Indie
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BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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