A strange and fluffy confection with a thought-provoking core.
Working for a newspaper changes a misfit girl’s life in many ways in Giroux’s novel.
Pennacook, Massachusetts, is a town beset by constant floods in which menacing wild boars roam the streets/canals, people ride balance-bikes or pedal boats, and grocery store robots have banded together in the woods. Readers meet the novel’s protagonist, Wendy Zhou, during her difficult middle school years—Wendy’s father has recently died, no one in Pennacook can pronounce her last name, and her coming out as gay during a school dance goes disastrously wrong when her crush rejects and insults her. Writing for the Pennacook Beat newspaper gives Wendy a purpose, and she and the other kid reporters in her school-sponsored program uncover a case of corruption revealing the reasons for the floods and hordes of feral pigs—and the truth behind an idealistic-sounding scheme to cover the town with a giant dome. Interspersed with teen Wendy’s exploits are depictions of Wendy in the year 2032 as she nears college graduation. Both Wendy and her Pennacook Beat editor, Graham Bundt, are flawed characters, but the author makes them likable by showing their growth. Graham has a drinking problem and allows the newspaper to be co-opted for propaganda, but he’s worth redemption—he inspires kids to write and cares about the town he inhabits. Wendy can be unkind to her mom; she’s also an unreliable narrator, revealing late in the story that she has lied about some of her personal details. Still, the reader is on Wendy’s side when she learns to care deeply for someone and discovers her own strength. Though the story is frothy, Giroux embeds many serious themes in the narrative, including self-acceptance, suicide, sexuality, and racism. The book also convincingly explores the fragility of democracy, which is threatened in Pennacook. As Graham observes, quoting his hero, John Adams, “There never was a democracy yet that did not commit suicide.”
A strange and fluffy confection with a thought-provoking core.Pub Date: June 18, 2024
ISBN: 9781734224047
Page Count: 306
Publisher: New Salem Books
Review Posted Online: April 23, 2024
Kirkus Reviews Issue: July 15, 2024
Review Program: Kirkus Indie
BOOK REVIEW
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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