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A CRAFTSMAN’S LEGACY

WHY WORKING WITH OUR HANDS GIVES US MEANING

A friendly, pleasant manifesto; without the philosophical depth of Matthew Crawford’s Shop Class as Soulcraft, but still a...

“I wanted to be the driver of my own life.” Metalworker/mechanic/TV host Gorges writes about the pleasures of—and lessons from—working with one’s hands.

Handwork is challenging, and, as the author writes by way of an affable if admonitory opening, sometimes it involves pain: “My hands bleed all the time,” he writes, “their skin is rough and cracked like a dirt road, and there’s a gnarly scar across my right index knuckle.” Yet, he reflects, such disfigurements are really badges of honor, pointing to the things that one learns through artisanal work that calls on the practitioner to step away from the “larger churning machine” that wants to chew us up and instead do cool stuff. This is a book full of cool stuff and the people who do it, from making swords—swordsmiths are “our last line of defense from this craft being completely lost to history”—to rebuilding vintage motorcycles and carving gargoyles for cathedrals. Gorges, who hosts a TV show of the same title as the book, also notes that doing such pursuits can take passion to levels of mania, with no such thing as time off, no social or family life, and no chance of ever winning that “never-ending struggle to find that work-life balance.” Nevertheless, like the kindred-spirit book Zen and the Art of Motorcycle Maintenance, Gorges’ narrative serves up the lessons that one learns from hard, deliberate, artful work, including persistence, planning, gumption, stick-to-itiveness, and focus—about which he writes memorably, “some of the frame has to be blurry in order to sharpen the object you’re shooting," which goes a long way to explaining that whole work-life balance thing.

A friendly, pleasant manifesto; without the philosophical depth of Matthew Crawford’s Shop Class as Soulcraft, but still a fine read for DIYers looking to up their game—or get their hands callused in the first place.

Pub Date: May 7, 2019

ISBN: 978-1-61620-836-3

Page Count: 256

Publisher: Algonquin

Review Posted Online: March 2, 2019

Kirkus Reviews Issue: March 15, 2019

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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