Not as stark as the work of Walter Mosley, but Dickey’s novel embraces its noir influences.
Two minutes is long enough to save a life—or end it, as a desperate husband finds out when he takes to a life of crime.
Dickey (Resurrecting Midnight, 2009, etc.) starts this bleak tale of a robbery gone wrong with a bang. “Sometimes the only choices a man had left were bad ones,” says Dmytryk Knight, a former white-collar executive at a Detroit automaker. Eventually, Knight gets to telling us the circumstances that put him in a room with a hardened criminal named, weirdly enough, after the main character in George V. Higgins's seminal crime novel The Friends of Eddie Coyle. But first, Dickey puts his man on the run. Dmytryk is introduced in the midst of an L.A. bank robbery straight out of Heat, and he watches in horror as a wounded guard blows away his partners in crime. Yet it’s obvious from the start that Knight is a different kind of desperado. “John Dillinger,” he muses. “That criminal knew there were only two ways to get money in the land of free enterprise: you earned it, or you took it at gunpoint. That was about as American as a man could get in the land of red, white, and the blues. Dillinger wasn’t my American hero.” Knight’s reason for being is his estranged wife Cora, who took to exotic dancing to make ends meet before encouraging her husband to get into a dirtier business. After an ill-advised liaison with a dead man’s mistress, Dmytryk flees for the South, hoping to escape his dire straits and finally reunite with Cora. But as Knight learns, trouble is hard to shake.
Not as stark as the work of Walter Mosley, but Dickey’s novel embraces its noir influences.Pub Date: Aug. 17, 2010
ISBN: 978-0-525-95058-5
Page Count: 400
Publisher: Dutton
Review Posted Online: July 15, 2010
Kirkus Reviews Issue: Aug. 1, 2010
There are unforgettable beauties in this very sexy story.
Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."
Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.
There are unforgettable beauties in this very sexy story.Pub Date: June 12, 2018
ISBN: 978-1-5011-6964-9
Page Count: 352
Publisher: Atria
Review Posted Online: March 19, 2018
Kirkus Reviews Issue: April 1, 2018
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
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