Hard-core Dickey fans will be entertained by this sexy, fast-paced romp. Others should check out his earlier work.
Out-of-work actors, small-time crooks, and desperate men are on the grift in this mediocre new outing from the prolific (and usually better) African-American Dickey.
In a prologue we see 15-year-old Dante trying to protect his mother from his abusive father and ending up in a juvenile facility. Now, ten years later and finally living the straight life in Los Angeles, Dante finds himself a victim of post–September 11 aerospace layoffs. While joblessness may be a problem, it hardly compares to the predicament of getting Pam, an older waitress whose table he’s been frequenting, to notice him. As a favor to his old mentor Jackson (who, erroneously being sued for child support, needs some quick cash), Dante agrees to work a cold job (an easy con) for grifter kingpin Scamz. He finally gets Pam’s attention by offering her a quick thousand (a struggling actor, she’s saving up for plastic surgery) for her help in the real estate swindle Scamz has lined up. Spanning three days, the story travels up and down LA, from the barrio to Scamz’s mansion, from deals gone bad to the steamy night Dante spends with Pam. Character his strong suit, Dickey unfolds a tableau of hungry people willing to compromise for a chance to get out of the hole life has put them in. But, still, with a long tradition of great hard-boiled LA novels to live up to, this one hits off-center: not quite dangerous or stylish enough for the villainy, not quite complex enough to stand as a character study. At the close, beaten and on the run, Dante has some tough decisions to make about Scamz, who took him under his wing long ago; Jackson, the best friend who double-crosses him; and beautiful Pam, older but certainly not wiser.
Hard-core Dickey fans will be entertained by this sexy, fast-paced romp. Others should check out his earlier work.Pub Date: May 13, 2002
ISBN: 0-525-94663-2
Page Count: 320
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2002
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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