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PETE THE CAT AND HIS FOUR GROOVY BUTTONS

Fans will definitely want to visit the publisher’s website to check out the extras, while newcomers will either do the same...

In his third outing Pete the Cat follows the pattern of his previous appearances: Despite repeated wardrobe malfunctions, he maintains his upbeat attitude and bouncy charm.

This time around the focus is on the buttons on Pete’s favorite shirt, instead of his shoes, and there’s even a bit of math involved. Still, for readers who have met Pete previously there’s not much here that’s new. Pete moves from his cozy chair to a skateboard to the street outside to a surfboard on top of an old-style Volkswagen Beetle. In each spot, for no apparent reason, one button pops off. The repeated refrain asks “Did Pete cry?” and answers “Goodness, no! Buttons come and buttons go.” As a song it’s likely perky, but read aloud, the text can seem tedious and overlong. Still, the brightly colored, childlike paintings and playful typography should keep kids’ attention, and some will also enjoy identifying the large numerals as they count backwards from four to zero. A final twist finds Pete admiring his bellybutton, which will always be with him unlike the “stuff” that “will come and…go,” offering the option of a mildly anti-consumerist message for parents who choose to emphasize it.

Fans will definitely want to visit the publisher’s website to check out the extras, while newcomers will either do the same or let Pete go, depending on their taste. (Picture book. 3-7)

Pub Date: May 1, 2012

ISBN: 978-0-06-211058-9

Page Count: 40

Publisher: Harper/HarperCollins

Review Posted Online: March 13, 2012

Kirkus Reviews Issue: April 1, 2012

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CARPENTER'S HELPER

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.

A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.

Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)

Pub Date: March 16, 2021

ISBN: 978-0-593-12320-1

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: Jan. 12, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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LOVE FROM THE CRAYONS

As ephemeral as a valentine.

Daywalt and Jeffers’ wandering crayons explore love.

Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.

As ephemeral as a valentine. (Picture book. 4-6)

Pub Date: Dec. 24, 2019

ISBN: 978-1-5247-9268-8

Page Count: 32

Publisher: Penguin Workshop

Review Posted Online: Feb. 1, 2021

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