Fifteen-year-old Jack Walsh is elevated from head exercise rider to “bug boy,” or apprentice jockey, after another jockey is severely injured during a race. The Saratoga Race Course in 1934 is vividly realized in Jack’s believable first-person, present-tense narration, as he navigates the dangers success brings. A gangster pressures him to deliberately lose a big race, a wealthy young female bookie energetically seduces him, his father arrives back on the scene after abandoning him as a child to a physically and sexually abusive horse trainer, and he endures the constant, graphically portrayed imperative to lose large amounts of weight quickly in order to be light enough to race. Luper is at his best depicting races that are both thrilling and plausible as Jack strategizes his way past more experienced but less clever riders. Occasional violence, sexuality and Jack’s extreme weight-loss efforts make this a more suitable read for older teens, who will find themselves thundering through the home stretch in order to discover whether Jack will win, place or show in this first-rate novel. (Historical fiction. 13 & up)
Pub Date: Aug. 21, 2009
ISBN: 978-0-374-31000-4
Page Count: 256
Publisher: Farrar, Straus and Giroux
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: July 1, 2009
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A sparse, beautifully drawn story about a teen discovering her heritage.
In this YA graphic novel, an alienated Métis girl learns about her people’s Canadian history.
Métis teenager Echo Desjardins finds herself living in a home away from her mother, attending a new school, and feeling completely lonely as a result. She daydreams in class and wanders the halls listening to a playlist of her mother’s old CDs. At home, she shuts herself up in her room. But when her history teacher begins to lecture about the Pemmican Wars of early 1800s Saskatchewan, Echo finds herself swept back to that time. She sees the Métis people following the bison with their mobile hunting camp, turning the animals’ meat into pemmican, which they sell to the Northwest Company in order to buy supplies for the winter. Echo meets a young girl named Marie, who introduces Echo to the rhythms of Métis life. She finally understands what her Métis heritage actually means. But the joys are short-lived, as conflicts between the Métis and their rivals in the Hudson Bay Company come to a bloody head. The tragic history of her people will help explain the difficulties of the Métis in Echo’s own time, including those of her mother and the teen herself. Accompanied by dazzling art by Henderson (A Blanket of Butterflies, 2017, etc.) and colorist Yaciuk (Fire Starters, 2016, etc.), this tale is a brilliant bit of time travel. Readers are swept back to 19th-century Saskatchewan as fully as Echo herself. Vermette’s (The Break, 2017, etc.) dialogue is sparse, offering a mostly visual, deeply contemplative juxtaposition of the present and the past. Echo’s eventual encounter with her mother (whose fate has been kept from readers up to that point) offers a powerful moment of connection that is both unexpected and affecting. “Are you…proud to be Métis?” Echo asks her, forcing her mother to admit, sheepishly: “I don’t really know much about it.” With this series opener, the author provides a bit more insight into what that means.
A sparse, beautifully drawn story about a teen discovering her heritage.Pub Date: March 15, 2018
ISBN: 978-1-55379-678-7
Page Count: 48
Publisher: HighWater Press
Review Posted Online: Feb. 28, 2018
Kirkus Reviews Issue: May 1, 2018
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Marcus is black and Eddie white in a multicultural Long Island neighborhood. Known to all as “Black and White,” they have honed their athletic skills together and are in the midst of a basketball season headed to the playoffs and scholarships to good colleges. They know each other’s timing and rhythm and feel complete trust in each other. However, off the court they have decided to supplement their income by holding up strangers for money for senior activities and the latest athletic shoes. Using Grandpa’s gun from Eddie’s attic, both think their initial success means invincibility. The nightmare that ensues when Eddie inadvertently hits the trigger—and their victim—becomes the playing field for the author’s exploration of how much difference race can make in the fate of each boy and their friendship. Rather than exploring the issue of race by pretending it doesn’t exist, Volponi points directly at it, illustrating at every turn that the race of the various characters influences events as well as whether Marcus will end up in prison alone. Consequences for everyone unfold and escalate in rapid-fire fashion. Hugely discussable. (Fiction. YA)
Pub Date: May 1, 2005
ISBN: 0-670-06006-2
Page Count: 160
Publisher: Viking
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 15, 2005
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