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FAST PARADISE

A fascinating novel that provocatively animates the tendrils that connect past and present.

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Young archaeologists hunt for evidence of an ancient people on an Arctic island and attempt to reconstruct the life of a teenage girl.

In 1963, the charismatic Professor De Long, a “campus icon” at Pelham College, leads an archeological expedition to Ellesmere Island deep in the high Arctic, “80 degrees north latitude and then some.” De Long hypothesizes that the Tunit people, who inhabited the land one thousand years ago, were influenced by their Norse visitors and, in turn, influenced them. As a result, the Tunit “might have contributed to something like the glory that was Greece and grandeur that was Rome.” The professor’s star pupil, Arthur, accompanied by his girlfriend, Gabby, discover an animal skin with markings that might have belonged to a Tunit girl named Qaya—her name inscribed on the skin—who was possibly embarking on a hunting trek, an important ritualistic passage into adulthood. However, it’s not clear that a female would have been allowed on such a trek, and De Long sternly warns the crew against interpreting the past through the romantic lens of the present, an imposition of one’s values rather than the discovery of another’s. Nevertheless, Gabby becomes obsessed with following the scant evidence to find Qaya’s body, a search more personal than scientific, a peculiar quest movingly portrayed by Mayer. The author also portrays a parallel tale—Qaya’s own longing to set out on a hunt of her own, as well as her hesitation to enter into a marriage with Inuk, to whom she has been promised as a bride since childhood.

Despite the extraordinary distance between the lives of Qaya and Gabby—lives one might consider heterogeneous—Mayer (counter to De Long’s teachings) deftly pushes the reader to consider their subtle affinities and overlapping longings. The author’s command of the geography of the Arctic, and the Indigenous peoples who inhabited it, is masterly. One can hardly believe, as he notes, that he has never set foot there, this terrifyingly forbidding land overlaid by a “permafrost you can’t get through without a nuclear bomb.” Qaya’s story unfolds with a stirring plausibility—her life remote and relatable in equal parts. In this way, with remarkable subtlety, one can see the singularity and universality of her life. De Long memorably counsels against interpreting the ancient past through the familiar lens of the present: “If you went back in a time machine to save them no one would come aboard. They couldn’t imagine ‘save’ from what….They don’t want to be found, Gabby. That would only mean trouble. They wouldn’t even talk to you.” However, his intractable view excludes even a sliver of common human ground, any possible sense of human solidarity, a prohibitive possibility Gabby rejects. The story does tend to digress; the plot meanders and sometimes moves without any sense of narrative urgency. At some parts, too, Gabby’s passion threatens to turn not only frivolously quixotic, but sentimental. Fortunately, she stays on track, and overall, this is a mesmerizing novel, dramatically engaging as it is philosophically thoughtful.

A fascinating novel that provocatively animates the tendrils that connect past and present.

Pub Date: June 16, 2024

ISBN: 9781578338672

Page Count: 374

Publisher: Todd Communications

Review Posted Online: June 19, 2024

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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