Lustbader—Master of the Orient!—returns stronger than ever with the fourth of the Nicholas Linnear novels (The Ninja, 1980; The Miko, 1984; and White Ninja, 1990), with a fifth promised. Lustbader's dense approach to storytelling lets rich backgrounds support incredible plots and high-tension martial-arts battles. Here, he lavishes even more care than usual on bringing Tokyo, Venice, Paris, and Washington to a ringing life against which his stereotypes leap superhumanly and unload tons of Eastern expertise. Nicholas Linnear, co-owner of the Japan-based Tomkin- Sato electronics corporation, fights the recession by trying to expand the firm's base in Vietnam, where he hopes to make his phenomenal T-PRAM computer chip (it's based on the human brain structure) while being hit with attacks from McCarthy-like investigations by Senator Rance in Washington. Meanwhile, his wife, Justine, takes a passionate distaste for the Japanese following the death of their child and a miscarriage. In the middle of all this, the Kaisho (or Godfather of Japanese criminals) calls upon Nicholas to repay a moral debt incurred by his late father, who—when on General MacArthur's staff following WW II—enlisted the Kaisho's aid in jump-starting democracy in Japan. The Kaisho has moved in on the American Mafia—but an even superior Japanese criminal organization wants to kill the elderly Kaisho while forming a worldwide underworld conglomerate. The Kaisho trusts no one among his own people: Nicholas must find and destroy the assassin, despite his scorn for Yakuza. The assassin, the death-loving Du Doc—a mind-reading Vietnamese of fabulous fighting ability and access to occult areas of martial arts that Linnear himself must now master if he is to meet Du Doc head-on—is one of Lustbader's best villains, his wickedness woven with an erotic mastery that melts all women. Plunging melodrama and poppy dreams of supersex. Superior hokum.
Pub Date: Oct. 4, 1993
ISBN: 0-671-86806-3
Page Count: 496
Publisher: Pocket
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1993
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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