Readers able to suspend great gobs of disbelief will enjoy this yarn, but they might do well to read the books in order.
Heaven and hell duke it out once again in this fourth religious fantasy thriller in the author’s Testament series (Four Dominions, 2018, etc.).
Lucifer, the Principal Resident of hell and the Sum of All Shadows, is fed up with God. So after eons—or at least after three previous Testament installments—he decides to organize the Fallen to “begin their final assault on Heaven.” Of all possible places in the universe, this plot involves climbing out a hole in the Syrian island of Arwad. Their biggest obstacle is not the creator himself but “the accursed Shaw family…the only humans with the knowledge and power to defeat his purpose.” They are the siblings Emma and Bravo Shaw, who are Gnostic Observatines. The Principal Resident wants to drive a wedge between brother and sister, who may not be wholly human. Their great-great grandmother Chynna Sikar had mated with the Fallen Seraph of “Unparalleled Glamour,” Leviathan. He is “something out of a lunatic’s nightmare: a six-winged beast with red and gold eyes, a bestial snout, and ears like a bat’s wings.” Adding to the charm, he likes chowing down on human bones and surrounds himself with an armada of buzzing flies. So what’s not to like? And there’s Oq Ajdar, a chimera that changes from a dragon to a sea serpent to an eagle in a few blinks of the eye. Even good guys take strange form, as Emma is rescued from certain death by a big frog wearing a waistcoat, formal jacket, trousers with a satin stripe, and “jaunty silk ascot.” At least he wasn’t holding a martini glass. The premise is a highly imaginative take on the eternal conflict between good and evil, and just because this novel has a satisfying conclusion doesn’t mean that Lucifer, like Schwarzenegger, won’t be back.
Readers able to suspend great gobs of disbelief will enjoy this yarn, but they might do well to read the books in order.Pub Date: July 9, 2019
ISBN: 978-0-7653-8863-6
Page Count: 352
Publisher: Forge
Review Posted Online: April 13, 2019
Kirkus Reviews Issue: May 1, 2019
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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