This beautifully illustrated book of wisdom serves as a good introduction to maxims and also acts against the many prevalent...
A book of African proverbs illustrated by a variety of artists.
The 15 proverbs highlighted in this book come from different African peoples and regions, and each features a captivating full-page illustration. The aphorisms range from the well-known—“It takes a village to raise a child”—to those that may be new to most readers. Walters offers origin information for each proverb, as well as its meaning, making the book accessible to a variety of ages. The saying “When in the middle of a river, do not insult the crocodile,” from the Baoulé people of Côte d’Ivoire, is glossed as, “You probably don’t have to battle crocodiles, but you can apply this to any situation: always think before you act.” The fact that the texts are linked only by continent of origin allows for an array of creative pictorial interpretations of the adages, with styles that run the gamut. Ghanaian artist Eva Campbell provides a bright oil painting of a happy village scene; Cuban-American illustrator Tom Gonzalez offers a striking image of a fire at nighttime; South African artist Sindiso “R!OT” Nyoni contributes a cartoonlike image of a black woman in a spacesuit standing on the moon, with the Earth over her shoulder.
This beautifully illustrated book of wisdom serves as a good introduction to maxims and also acts against the many prevalent negative stereotypes of African cultures and people—lovely and illuminating. (introduction, foreword, artist bios) (Picture book. 5-10)Pub Date: Jan. 2, 2018
ISBN: 978-1-77049-719-1
Page Count: 40
Publisher: Tundra Books
Review Posted Online: Oct. 15, 2017
Kirkus Reviews Issue: Nov. 1, 2017
A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for.
An overview of the modern African-American holiday.
This book arrives at a time when black people in the United States have had intraracial—some serious, some snarky—conversations about Kwanzaa’s relevance nowadays, from its patchwork inspiration that flattens the cultural diversity of the African continent to a single festive story to, relatedly, the earnest blacker-than-thou pretentiousness surrounding it. Both the author and consultant Keith A. Mayes take great pains—and in painfully simplistic language—to provide a context that attempts to refute the internal arguments as much as it informs its intended audience. In fact, Mayes says in the endnotes that young people are Kwanzaa’s “largest audience and most important constituents” and further extends an invitation to all races and ages to join the winter celebration. However, his “young people represent the future” counterpoint—and the book itself—really responds to an echo of an argument, as black communities have moved the conversation out to listen to African communities who critique the holiday’s loose “African-ness” and deep American-ness and moved on to commemorate holidays that have a more historical base in black people’s experiences in the United States, such as Juneteenth. In this context, the explications of Kwanzaa’s principles and symbols and the smattering of accompanying activities feel out of touch.
A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for. (resources, bibliography, glossary, afterword) (Nonfiction. 5-8)Pub Date: Sept. 5, 2017
ISBN: 978-1-4263-2849-7
Page Count: 40
Publisher: National Geographic Kids
Review Posted Online: Oct. 27, 2017
A reasonably solid grounding in constitutional rights, their flexibility, lacunae, and hard-won corrections, despite a few...
Shamir offers an investigation of the foundations of freedoms in the United States via its founding documents, as well as movements and individuals who had great impacts on shaping and reshaping those institutions.
The opening pages of this picture book get off to a wobbly start with comments such as “You know that feeling you get…when you see a wide open field that you can run through without worrying about traffic or cars? That’s freedom.” But as the book progresses, Shamir slowly steadies the craft toward that wide-open field of freedom. She notes the many obvious-to-us-now exclusivities that the founding political documents embodied—that the entitled, white, male authors did not extend freedom to enslaved African-Americans, Native Americans, and women—and encourages readers to learn to exercise vigilance and foresight. The gradual inclusion of these left-behind people paints a modestly rosy picture of their circumstances today, and the text seems to give up on explaining how Native Americans continue to be left behind. Still, a vital part of what makes freedom daunting is its constant motion, and that is ably expressed. Numerous boxed tidbits give substance to the bigger political picture. Who were the abolitionists and the suffragists, what were the Montgomery bus boycott and the “Uprising of 20,000”? Faulkner’s artwork conveys settings and emotions quite well, and his drawing of Ruby Bridges is about as darling as it gets. A helpful timeline and bibliography appear as endnotes.
A reasonably solid grounding in constitutional rights, their flexibility, lacunae, and hard-won corrections, despite a few misfires. (Informational picture book. 6-10)Pub Date: May 2, 2017
ISBN: 978-0-399-54728-7
Page Count: 32
Publisher: Philomel
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
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