by Eric Walters ; illustrated by Eugenie Fernandes ‧ RELEASE DATE: Sept. 10, 2013
With dignity and quiet acceptance, this story illustrates that blessings, like family, can take unexpected forms.
This expressive picture book, based on a real family, lovingly tells a hard story with a twist.
It’s difficult to broach poverty, disability and custody issues in so few pages without sounding maudlin, but Walters manages by speaking simply. Muthini, whose name means “suffering,” was born with two fingers on his right hand and none on his left. Living with his loving but impoverished grandmother, Grace, and cousins, Muthini endures gossip from kids and adults, their disdain etched with as little as a mouth or eyebrow slant. Grace counters that his large heart, brain and spirit compensate for his hands, but love and spirit can’t feed him. Grace tearfully explains that he’ll be better off at an orphanage. Grace’s frankness communicates the difficulty of this choice without condemning Muthini’s disability; when Muthini’s two fingers catch a tear from Grace’s weary face, the poignant gesture is more than enough to communicate their bond. The lines in the characters’ faces are both pained and painstaking, communicating everything from sadness and scorn to joy and relief. Scenes of soccer, school and storytelling intersperse the exposition of their poverty, relieving it of caricature or condescension. A photographic afterword gives background on the real Muthini and Grace, as well as Walters’ Creation of Hope foundation for Kenyan orphans.
With dignity and quiet acceptance, this story illustrates that blessings, like family, can take unexpected forms. (author’s note) (Picture book. 4-8)Pub Date: Sept. 10, 2013
ISBN: 978-1-77049-301-8
Page Count: 32
Publisher: Tundra Books
Review Posted Online: Aug. 13, 2013
Kirkus Reviews Issue: Sept. 1, 2013
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Sarah Jennings
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by Tish Rabe ; illustrated by Dan Yaccarino
by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
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