NO TWO PERSONS

In this uniquely structured novel, Bauermeister explores the impact one book can have on numerous readers.

Alice Wein has always wanted to be a writer but struggles to find the story she’s meant to tell until the loss of her brother while she’s in college. That tragedy prompts her to leave school and begin writing a novel, called Theo, about an abused boy who finds solace in swimming and attempts to escape his father's domineering by faking his death only for his father to die. Theo becomes the backbone of Bauermeister’s novel; structured as loosely intertwined short stories, the book charts the writing, publishing, and reading of Theo from the perspectives of 10 people, including Alice, her publisher, a bookseller who forms a relationship with Alice, and readers the book touched in varying ways. Each reader connects with something different in Theo's story, which Bauermeister intends as a testament to the power of literature. While the book-within-a-book structure is interesting, there's little depth for readers to sink their teeth into. The chapters move quickly, and key aspects of the overarching plot are missing. For example, Kit, the bookseller who becomes Alice’s partner, is introduced in a chapter charting the dissolution of his engagement to someone else. He only reappears in the epilogue, when his relationship with Alice is alluded to as he convinces her to attend an event. Alice's own path to being a professional writer is similarly underdeveloped; a professor recognizes her talent within a few sessions of one of her first college classes and becomes a mentor, though his role is confined to a few encouraging but trite suggestions that she write the story she's “meant to write.” She does and is published quickly despite a few early rejections that are discussed and moved past within half a page.

An interesting structure can't redeem this underdeveloped and simplistic take on the ways readers engage with novels.