A knowing, nuanced #MeToo story from the world of corporate law, with juicy The Wolf of Wall Street–type action.
The perils and pleasures—if that’s the right word—of a high-powered young woman working as a first-year associate at a major Manhattan law firm.
One of the key sentences in this debut novel is in the author bio on the last page: “Erica Katz is the pseudonym for a graduate of Columbia Law School who began her career at a major Manhattan law firm.” Another is in the acknowledgments: “To everyone who sees ugly parts of themselves in these characters and wonders if I’m writing about them, I’m not. (But I am…).” Clearly the story of Alexandra Vogel’s life at Klasko & Fitch is grounded in experience and first-hand observation. It’s an intense, disturbing #MeToo story that takes the significant risk of making its main character neither innocent nor completely likable. The book opens with an excerpt from a transcript of a New York Supreme Court trial. The defendant is Gary Kaplan, whom we will come to know as the firm’s most important, powerful, and wealthy client. What the charge is, or exactly why Alex is called to testify in such detail about her experiences at the firm, will not be clear until very late in the book. Before that, we go with Alex on the wild ride that is an associate’s first year as she tries to impress the bigwigs in order to “match” with a desirable department. Towering above them all is Mergers and Acquisitions—the best, brightest, toughest, most important—so naturally Alex, a mega-achiever whose accomplishments include a world record in girls junior swimming, sets her sights on it. Almost immediately the furiously competitive situation changes her into something of a monster. Multiday work sessions alternate with exorbitant dining, drinking, and drugging, taking quite a toll on her relationships with her boyfriend and her parents. Meanwhile sexual tension is building between her and more powerful colleagues while her relationships with the few women in the firm are…poor. She doesn’t see the situation for what it is until late in the book, when nuance goes out the window; her awakening is rushed and less realistic than what’s gone before.
A knowing, nuanced #MeToo story from the world of corporate law, with juicy The Wolf of Wall Street–type action.Pub Date: Aug. 4, 2020
ISBN: 978-0-06296-148-8
Page Count: 416
Publisher: Harper/HarperCollins
Review Posted Online: May 17, 2020
Kirkus Reviews Issue: June 1, 2020
BOOK REVIEW
Recommended reading for every paranoid suburbanite who’s considering a move to the city, or to the Arctic wilds.
Character assassination reigns supreme, if not uncontested, in a Long Island suburb.
April Masterson loves her husband, corporate attorney Elliott; their 7-year-old, Bobby; and her YouTube channel, “April’s Sweet Secrets.” What she doesn’t love is whoever’s texting her warnings about how Bobby isn’t really in their backyard while she’s busy filming her videos or withering critiques of her baking show or veiled accusations about her past and threats about her present. Her best friend, former prosecutor Julie Bressler, may be bossy and opinionated, but surely she’d never turn on April this way. Who else might know enough to send April goodies like a picture of her kissing Mark Tanner, Bobby’s soccer coach? Though April struggles to get Elliot to take her ordeal seriously, even when she shows up at his office for a lunch date, he’s protected by his receptionist, Brianna Anderson, whose attachment to her boss goes far beyond loyalty. Then Julie turns on her; Maria Cooper, her friendly new next-door neighbor, turns on her; and in the most mind-boggling scene, Doris Kirkland, April’s mother, whose dementia has brought her to a nursing home, turns on her. McFadden releases an escalating series of toxins so deftly into the suburban atmosphere that it’s practically an anticlimax when someone gets killed and April instantly becomes the prime suspect. But that’s only a setup for the tale’s boldest move: switching its narrator from April to a fair-weather friend who frames the whole nightmare in dramatically different terms. As a special gift to her savviest fans, the author throws in an even more jolting epilogue that’s as hard to forget as it is to believe.
Recommended reading for every paranoid suburbanite who’s considering a move to the city, or to the Arctic wilds.Pub Date: March 3, 2026
ISBN: 9781464249600
Page Count: 368
Publisher: Poisoned Pen
Review Posted Online: Dec. 6, 2025
Kirkus Reviews Issue: Jan. 15, 2026
High-concept and highly entertaining.
Fiction writers compete to finish a famous author’s abandoned novel.
Seven writers, all but one published, have received invitations to spend the weekend with crime novelist Arthur Fletch, the world’s most successful author, on his private island off the coast of Scotland. When they arrive at his cliffside castle, they expect to take part in one of the literary salons for which Fletch is famous; instead, they’re greeted by his agent, who informs them that Fletch is dead. Why has there been nothing about this in the press? Because “there are some…loose ends that must be tied up first.” Fletch has left his eagerly anticipated final novel unfinished, so the agent has summoned the writers to the island for a competition: One of them will get to complete Fletch’s book. As premises go, this one’s a humdinger, courtesy of fantasy writer V.E. Schwab and YA author Cat Clarke, here joining forces as Clarke. The story contains an amusing throughline about the indignity of being an uncelebrated novelist; as the agent tells the assembled writers, the contest winner will receive both cash and something equally valuable: “a way out of the midlist.” The novel’s wandering perspective allows each writer to vent their private frustrations, especially with the publishing industry and with the book world’s genre hierarchy (the YA writer among the competitors understands that she and the romance writer are “supposed to support each other against the general snobbishness of the other genres”). Readers who have come for the crimes and the twists, both of which are plentiful, might grow impatient with all the characters’ backstories, but these readers will likely warm to the shop talk, which at its funniest plays like a kvetchy midlist-writers’ support group.
High-concept and highly entertaining.Pub Date: April 7, 2026
ISBN: 9780063444614
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: Jan. 19, 2026
Kirkus Reviews Issue: Feb. 15, 2026
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