A knowing, nuanced #MeToo story from the world of corporate law, with juicy The Wolf of Wall Street–type action.
The perils and pleasures—if that’s the right word—of a high-powered young woman working as a first-year associate at a major Manhattan law firm.
One of the key sentences in this debut novel is in the author bio on the last page: “Erica Katz is the pseudonym for a graduate of Columbia Law School who began her career at a major Manhattan law firm.” Another is in the acknowledgments: “To everyone who sees ugly parts of themselves in these characters and wonders if I’m writing about them, I’m not. (But I am…).” Clearly the story of Alexandra Vogel’s life at Klasko & Fitch is grounded in experience and first-hand observation. It’s an intense, disturbing #MeToo story that takes the significant risk of making its main character neither innocent nor completely likable. The book opens with an excerpt from a transcript of a New York Supreme Court trial. The defendant is Gary Kaplan, whom we will come to know as the firm’s most important, powerful, and wealthy client. What the charge is, or exactly why Alex is called to testify in such detail about her experiences at the firm, will not be clear until very late in the book. Before that, we go with Alex on the wild ride that is an associate’s first year as she tries to impress the bigwigs in order to “match” with a desirable department. Towering above them all is Mergers and Acquisitions—the best, brightest, toughest, most important—so naturally Alex, a mega-achiever whose accomplishments include a world record in girls junior swimming, sets her sights on it. Almost immediately the furiously competitive situation changes her into something of a monster. Multiday work sessions alternate with exorbitant dining, drinking, and drugging, taking quite a toll on her relationships with her boyfriend and her parents. Meanwhile sexual tension is building between her and more powerful colleagues while her relationships with the few women in the firm are…poor. She doesn’t see the situation for what it is until late in the book, when nuance goes out the window; her awakening is rushed and less realistic than what’s gone before.
A knowing, nuanced #MeToo story from the world of corporate law, with juicy The Wolf of Wall Street–type action.Pub Date: Aug. 4, 2020
ISBN: 978-0-06296-148-8
Page Count: 416
Publisher: Harper/HarperCollins
Review Posted Online: May 17, 2020
Kirkus Reviews Issue: June 1, 2020
BOOK REVIEW
Come for the forensics, stay for the nonhumans.
A Christmas bout between Kay Scarpetta and the Phantom Slasher.
But first, Scarpetta, Virginia’s chief medical examiner, has to figure out how software designer Rowdy O’Leary died. Fished from the Potomac River on Christmas Eve six years after a hit-and-run driver left him permanently disabled and a week after he plunked down the cash for a pricey emerald ring, he fell off his fishing perch and drowned—or did he? Scarpetta’s examination of his body is cut short by two disturbing developments: the discovery of an unidentified woman’s remains buried on the grounds of Mercy Psychiatric Hospital, and celebrity TV reporter Dana Diletti’s report that the red-eyed ghost associated with the Slasher’s three murders has floated through the window of her home. She’s got video, too, and the apparition looks real and scary. The final blow to Scarpetta’s plans for a Christmas getaway with her husband, Secret Service forensic psychologist Benton Wesley, is an attack on an Alexandria home that kills Mercy psychiatrist Georgine Duvall, who used to treat Scarpetta’s niece, Lucy Farinelli, and nearly kills graduate student Zain Willard, White House intern and nephew of presidential candidate Sen. Calvin Willard. This time the Slasher’s ghost has been spotted on the scene by none other than Pete Marino, head of investigations for the medical examiner’s office and Scarpetta’s longtime sidekick. Cornwell’s use of Robbie, Zain’s robotic dog, and Janet, Lucy’s AI companion, integrates the futuristic elements she favors more successfully than in her recent outings. But the solutions to all these mysteries will leave fans of the venerable franchise pursing their lips rather than gasping in awe.
Come for the forensics, stay for the nonhumans.Pub Date: Oct. 7, 2025
ISBN: 9781538773963
Page Count: 400
Publisher: Grand Central Publishing
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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