THE BOYS' CLUB

The perils and pleasures—if that’s the right word—of a high-powered young woman working as a first-year associate at a major Manhattan law firm.

One of the key sentences in this debut novel is in the author bio on the last page: “Erica Katz is the pseudonym for a graduate of Columbia Law School who began her career at a major Manhattan law firm.” Another is in the acknowledgments: “To everyone who sees ugly parts of themselves in these characters and wonders if I’m writing about them, I’m not. (But I am…).” Clearly the story of Alexandra Vogel’s life at Klasko & Fitch is grounded in experience and first-hand observation. It’s an intense, disturbing #MeToo story that takes the significant risk of making its main character neither innocent nor completely likable. The book opens with an excerpt from a transcript of a New York Supreme Court trial. The defendant is Gary Kaplan, whom we will come to know as the firm’s most important, powerful, and wealthy client. What the charge is, or exactly why Alex is called to testify in such detail about her experiences at the firm, will not be clear until very late in the book. Before that, we go with Alex on the wild ride that is an associate’s first year as she tries to impress the bigwigs in order to “match” with a desirable department. Towering above them all is Mergers and Acquisitions—the best, brightest, toughest, most important—so naturally Alex, a mega-achiever whose accomplishments include a world record in girls junior swimming, sets her sights on it. Almost immediately the furiously competitive situation changes her into something of a monster. Multiday work sessions alternate with exorbitant dining, drinking, and drugging, taking quite a toll on her relationships with her boyfriend and her parents. Meanwhile sexual tension is building between her and more powerful colleagues while her relationships with the few women in the firm are…poor. She doesn’t see the situation for what it is until late in the book, when nuance goes out the window; her awakening is rushed and less realistic than what’s gone before.

A knowing, nuanced #MeToo story from the world of corporate law, with juicy The Wolf of Wall Street–type action.