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BIGGER THAN ME

An ambitious foray into the world of words, labels, and social justice, sure to provoke conversation.

When words are just too much….

Luna and Zion, two dark-skinned kids, are watching TV when they become overwhelmed by big, difficult words that represent hard-to-understand concepts. “Words like ‘pandemic’ and ‘homelessness.’ ‘Inequality’ and ‘immigration.’ ” Appealing, softly rounded cartoons accompany text that leans heavily on the figurative language as Zion counts the syllables (“the words a wad of gum too big to chew”) and Luna builds the words in towers of alphabet blocks that topple over. The two decide to work together to solve the problem, but they need help, so they enlist the help of diverse neighborhood children and even some adults to help them write new words on banners and signs—courage, strength, freedom—and march in a parade. Attached to kites, the celebratory words rise into the sky, and the children even paint a mural of inspiring individuals. While the goals of this book—to help children focus on the positive and build strength—are admirable, the execution doesn’t quite work, as the text wanders too far into the abstract and ultimately provides substitutions for the difficult words rather than a true understanding of what they mean. Still, the idea that children can channel their frustration with the world into action is profoundly important, and this selection provides an opening to discuss big ideas like equity in a comforting context. (This book was reviewed digitally.)

An ambitious foray into the world of words, labels, and social justice, sure to provoke conversation. (author’s note, information about the people depicted in the mural) (Picture book. 3-6)

Pub Date: Sept. 12, 2023

ISBN: 9781665900324

Page Count: 40

Publisher: Caitlyn Dlouhy/Atheneum

Review Posted Online: June 21, 2023

Kirkus Reviews Issue: July 15, 2023

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IT'S NOT EASY BEING A GHOST

From the It's Not Easy Being series

Too cute to be spooky indeed but most certainly sweet.

A ghost longs to be scary, but none of the creepy personas she tries on fit.

Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.

Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)

Pub Date: Aug. 13, 2024

ISBN: 9780593702901

Page Count: 32

Publisher: Random House

Review Posted Online: May 17, 2024

Kirkus Reviews Issue: June 15, 2024

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YOUR BABY'S FIRST WORD WILL BE DADA

Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 14, 2015

Kirkus Reviews Issue: May 1, 2015

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