An ambitious foray into the world of words, labels, and social justice, sure to provoke conversation.
When words are just too much….
Luna and Zion, two dark-skinned kids, are watching TV when they become overwhelmed by big, difficult words that represent hard-to-understand concepts. “Words like ‘pandemic’ and ‘homelessness.’ ‘Inequality’ and ‘immigration.’ ” Appealing, softly rounded cartoons accompany text that leans heavily on the figurative language as Zion counts the syllables (“the words a wad of gum too big to chew”) and Luna builds the words in towers of alphabet blocks that topple over. The two decide to work together to solve the problem, but they need help, so they enlist the help of diverse neighborhood children and even some adults to help them write new words on banners and signs—courage, strength, freedom—and march in a parade. Attached to kites, the celebratory words rise into the sky, and the children even paint a mural of inspiring individuals. While the goals of this book—to help children focus on the positive and build strength—are admirable, the execution doesn’t quite work, as the text wanders too far into the abstract and ultimately provides substitutions for the difficult words rather than a true understanding of what they mean. Still, the idea that children can channel their frustration with the world into action is profoundly important, and this selection provides an opening to discuss big ideas like equity in a comforting context. (This book was reviewed digitally.)
An ambitious foray into the world of words, labels, and social justice, sure to provoke conversation. (author’s note, information about the people depicted in the mural) (Picture book. 3-6)Pub Date: Sept. 12, 2023
ISBN: 9781665900324
Page Count: 40
Publisher: Caitlyn Dlouhy/Atheneum
Review Posted Online: June 21, 2023
Kirkus Reviews Issue: July 15, 2023
Sure to have little ones giggling.
Jacques is a hedgehog with a big secret: “I wear real, bona fide underwear.”
Our narrator received a mysterious package one day; an illustration shows a pair of underwear tied to a balloon with a note “from the Universe” floating down into Jacques’ burrow. Hedgehogs don’t wear underwear, however. Will Jacques be shunned? Jacques worries but comes to a decision: “I have to wear them. When I do I feel special.” Determined, Jacques, who’s been invited to a party, makes a dramatic entrance, with undies in hand. Jacques’ declaration (“I WEAR UNDERWEAR”) is met with remarks of dismay, before another hedgehog opens up about similar fears and shows off a pair of cowboy boots. More hedgehogs introduce themselves with their own confessions. The story ends with Jacques unveiling a painting of the underwear in a gallery filled with hedgehogs wearing all sorts of attire. Though the book is simple in plot, characters, and setting, it wins in its balance of bathroom humor, dramatic storytelling, and celebrations of individual expression. French words are peppered throughout, adding to the fun without detracting from the story for those unfamiliar with the language. The cartoonish illustrations brim with fun; Valdez relies heavily on geometric shapes (triangle noses for the hedgehogs; huge circles for their eyes). Details such as speech bubbles and recurring turtle and snake characters contribute to the outlandish humor.
Sure to have little ones giggling. (Picture book. 3-5)Pub Date: April 1, 2025
ISBN: 9781250814388
Page Count: 40
Publisher: Roaring Brook Press
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
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Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
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