A comic interrogation of manhood set in a nearly man-free apocalypse.
A nerd discovers he may be the only man to have survived a deadly plague in Dargitz’s debut satirical novel.
Twenty-two-year-old Fletcher Sinclair was never a prime specimen of masculinity—he was an introverted community college student with thick glasses, greasy hair, and a love of video games and energy drinks. Then a super-virus literally wiped out every other man on earth, leaving Fletcher the lone surviving example of manhood. After spending months in isolation following the deaths of his parents and brother, Fletcher is rescued from his house by a small group of female doctors who have been laboring to understand why the “Delilah” virus only targets men—a study that requires, of course, a living male subject. Fletcher provides them with bodily fluid samples, and he agrees to stay hidden at their compound so as to not become a target of the raiders, cultists, and other bad actors roaming the post-pandemic female wasteland. At first, it’s great to have some company, but after weeks of doing little more than rewatching Sleepless in Seattle in his hospital room, Fletcher begins to feel a bit coddled. He begins to wonder: Shouldn’t the last man on earth act a little more…manly? When violence strikes the hospital, Fletcher is forced to learn the hard way that being the last surviving man requires an unpleasant amount of surviving. The author’s comedic prose flows easily, managing to sneak in quite a bit of his character’s traumatized psychology: “[Fletcher] had developed a nice little defense mechanism during his isolation that acted as a firewall to most forms of sentimentality. When an apocalypse is at your door, wallowing is an indulgence you simply can’t afford. Because wallowing is just one little hop away from giving up…” The book is far too long, but the length does give Dargitz ample space to move beyond the sitcom-like premise and explore some deeper issues related to the concept of masculinity, in a narrative more timely than it may seem.
A comic interrogation of manhood set in a nearly man-free apocalypse.Pub Date: Oct. 20, 2023
ISBN: N/A
Page Count: 324
Publisher: Edderkoppen Press
Review Posted Online: Aug. 22, 2023
Review Program: Kirkus Indie
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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