Impressive AI mayhem and thematic parsing for SF fans.
A sequel describes a future Pacific Northwest splintered into competing nation-states where the emergence of automated artificial intelligence city states from hibernation threatens to do more than just shift the balance of power.
SF author Otto focuses on the intricate dystopian realm he created in his novel Detonation (2018) but mostly with another set of characters. Prolonged conflict has broken out over advanced AI, reminiscent of (but a bit more thoughtful than) Daniel Wilson’s Robopacalypse franchise. In the process, major cities are destroyed. Human society continues in diminished, Balkanized form, with a major force being the “Essentialists,” a caste trying to persevere without high technology. The Pacific Northwest and coastal waters of the former United States and Canada are now varied seagoing nation-states technologically regressed to something approximating the age of fighting sail. There, a ticking time bomb of advanced AI exists: several regional “Independent City States of Morganis,”built 80 years ago. Meant as utopian havens of automation and protection, the idealistic city states turned dangerously against humans and one another. Now, after a ruinous clash and generations dormant, these city states—each more sophisticated than the last—have been somehow triggered to gradually come back online. To competing expansionist forces—especially an opportunist “Prefecture,” a throwback to imperial Japan—the power and potential weaponry embodied by the city states are an irresistible lure. Dryden Quintain, an anthropologist disgraced by his alcoholism, studies ICSM history as an intellectual pursuit, but he soon finds himself a pawn in the intrigues. So does Lexie, a spirited female pirate who becomes a prisoner of the “Observers,” a monkish group that keeps watch over the dangerous tech. Ironically, to do so, the Observers resort to neural implants and connections that have made them somehow inhuman. Via these characters, the author skillfully invokes principles such as “value-loading” and other logic paradoxes that strive to explain how machines designed to be humankind’s faithful servants can become the masters (or exterminators) instead. While not short of striking combat scenes and violence, as war droids and drones fill the landscape, this tale is also SF with major ideas, as much so as Isaac Asimov’s iconic “Three Laws of Robotics.” Otto’s bio notes that he runs a nonprofit that promotes the ethical use of AI.
Impressive AI mayhem and thematic parsing for SF fans. (science fiction)Pub Date: N/A
ISBN: N/A
Page Count: 521
Publisher: Self
Review Posted Online: May 12, 2021
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
PROFILES
IMAX-scale bleeding-edge techno-horror from a writer with a freshly sharpened scalpel and time on his hands.
The world as we know it ended in Wanderers, Wendig’s 2019 bestseller. Now what?
A sequel to a pandemic novel written during an actual pandemic sounds pretty intense, and this one doesn’t disappoint, heightened by its author’s deft narrative skills, killer cliffhangers, and a not inconsiderable amount of bloodletting. To recap: A plague called White Mask decimated humanity, with a relative handful saved by a powerful AI called Black Swan that herded this hypnotized flock to Ouray, Colorado. Among the survivors are Benji Ray, a scientist formerly with the Centers for Disease Control and Prevention; Shana Stewart, who is pregnant and the reluctant custodian of the evolving AI (via nanobots, natch); Sheriff Marcy Reyes; and pastor Matthew Bird. In Middle America, President Ed Creel, a murdering, bigoted, bullying Trump clone, raises his own army of scumbags to fight what remains of the culture wars. When Black Swan kidnaps Shana’s child, she and Benji set off on another cross-country quest to find a way to save him. On their way to CDC headquarters, they pick up hilariously foulmouthed rock god Pete Corley, back from delivering Willie Nelson’s guitar to the Rock & Roll Hall of Fame. This novel is an overflowing font of treasures peppered with more than a few pointed barbs for any Christofacists or Nazis who might have wandered in by accident. Where Wanderers was about flight in the face of menace, this is an old-fashioned quest with a small band of noble heroes trying to save the world while a would-be tyrant gathers his forces. All those big beats, not least a cataclysmic showdown in Atlanta, are tempered by the book’s more intimate struggles, from Shana’s primal instinct to recover her boy to the grief Pete buries beneath levity to Matthew Bird’s near-constant grapple with guilt. It’s a lot to take in, but Pete’s ribald, bombastic humor as well as funny interstitials and epigraphs temper the horror within.
IMAX-scale bleeding-edge techno-horror from a writer with a freshly sharpened scalpel and time on his hands.Pub Date: Nov. 15, 2022
ISBN: 978-0-593-15877-7
Page Count: 816
Publisher: Del Rey
Review Posted Online: Aug. 30, 2022
Kirkus Reviews Issue: Sept. 15, 2022
Mandel’s solid writing and magnetic narrative make for a strong combination in what should be a breakout novel.
Survivors and victims of a pandemic populate this quietly ambitious take on a post-apocalyptic world where some strive to preserve art, culture and kindness.
In her fourth novel, Mandel (The Lola Quartet, 2012, etc.) moves away from the literary thriller form of her previous books but keeps much of the intrigue. The story concerns the before and after of a catastrophic virus called the Georgia Flu that wipes out most of the world’s population. On one side of the timeline are the survivors, mainly a traveling troupe of musicians and actors and a stationary group stuck for years in an airport. On the other is a professional actor, who dies in the opening pages while performing King Lear, his ex-wives and his oldest friend, glimpsed in flashbacks. There’s also the man—a paparazzo-turned-paramedic—who runs to the stage from the audience to try to revive him, a Samaritan role he will play again in later years. Mandel is effectively spare in her depiction of both the tough hand-to-mouth existence of a devastated world and the almost unchallenged life of the celebrity—think of Cormac McCarthy seesawing with Joan Didion. The intrigue arises when the troupe is threatened by a cult and breaks into disparate offshoots struggling toward a common haven. Woven through these little odysseys, and cunningly linking the cushy past and the perilous present, is a figure called the Prophet. Indeed, Mandel spins a satisfying web of coincidence and kismet while providing numerous strong moments, as when one of the last planes lands at the airport and seals its doors in self-imposed quarantine, standing for days on the tarmac as those outside try not to ponder the nightmare within. Another strand of that web is a well-traveled copy of a sci-fi graphic novel drawn by the actor’s first wife, depicting a space station seeking a new home after aliens take over Earth—a different sort of artist also pondering man’s fate and future.
Mandel’s solid writing and magnetic narrative make for a strong combination in what should be a breakout novel.Pub Date: Sept. 9, 2014
ISBN: 978-0-385-35330-4
Page Count: 320
Publisher: Knopf
Review Posted Online: June 16, 2014
Kirkus Reviews Issue: July 1, 2014
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
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SEEN & HEARD
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