A remarkable collection marred only by occasional heavy-handedness.
A collection of stories about nuclear power and its effects.
Japanese author Kobayashi’s second book to appear in English explores ground previously traversed in the novel Trinity, Trinity, Trinity (2022). This is not a complaint: Kobayashi, who is also known as a visual artist, doesn’t cannibalize her own work. Her interest in atomic energy and its insidiously long-reaching effects on Japanese society tends to be deep and wide-ranging rather than repetitive. Kobayashi’s stories emphasize the experiences of women and frequently veer into the speculative realm. In “Hello My Baby, Hello My Honey,” a woman goes into labor in the summer of 1945. But is she giving birth to a baby or to a bomb of her own? As often as Kobayashi roots her work in historical and scientific research (“The sun is 1,400,000 kilometers in diameter,” she informs us in “Sunrise”), she also does so in rich and evocative metaphors. In “Shedding,” which Kobayashi apparently wrote at the beginning of the Covid-19 lockdown in Japan, a mysterious illness is spreading: The infected lose the ability to speak or to process language at all and are eventually encouraged to kill themselves. Even those who avoid suicide “lost their words completely,” Kobayashi writes. “These poor souls were called empty shells. An empty shell—as a person loses words one by one, soon their most distinguishing feature becomes their lack. Their lack of words. Tantamount to a lack of life, of existence.” But as this passage also makes clear, Kobayashi has the unfortunate habit, every once in a while, of hitting her mark a little too squarely on the nose. It’s OK, you want to assure her; we get it; no need to spell it all out.
A remarkable collection marred only by occasional heavy-handedness.Pub Date: July 11, 2023
ISBN: 9781662601170
Page Count: 240
Publisher: Astra House
Review Posted Online: May 9, 2023
Kirkus Reviews Issue: June 1, 2023
BOOK REVIEW
Though it falters a bit under its own weight, this series still has plenty of fight left.
In this long-awaited fifth installment of Shannon’s Bone Season series, the threat to the clairvoyant community spreads like a plague across Europe.
After extending her fight against the Republic of Scion to Paris, Paige Mahoney, leader of London’s clairvoyant underworld and a spy for the resistance movement, finds herself further outside her comfort zone when she wakes up in a foreign place with no recollection of getting there. More disturbing than her last definitive memory, in which her ally-turned-lover Arcturus seems to betray her, is that her dreamscape—the very soul of her clairvoyance—has been altered, as if there’s a veil shrouding both her memories and abilities. Paige manages to escape and learns she’s been missing and presumed dead for six months. Even more shocking is that she’s somehow outside of Scion’s borders, in the free world where clairvoyants are accepted citizens. She gets in touch with other resistance fighters and journeys to Italy to reconnect with the Domino Programme intelligence network. In stark contrast to the potential of life in the free world is the reality that Scion continues to stretch its influence, with Norway recently falling and Italy a likely next target. Paige is enlisted to discover how Scion is bending free-world political leaders to its will, but before Paige can commit to her mission, she has her own mystery to solve: Where in the world is Arcturus? Paige’s loyalty to Arcturus is tested as she decides how much to trust in their connection and how much information to reveal to the Domino Programme about the Rephaite—the race of immortals from the Netherworld, Arcturus’ people—and their connection to the founding of Scion, as well as the presence of clairvoyant abilities on Earth. While the book is impressively multilayered, the matter-of-fact way in which details from the past are sprinkled throughout will have readers constantly flipping to the glossary. As the series’ scope and the implications of the war against Scion expand, Shannon’s narrative style reads more action-thriller than fantasy. Paige’s powers as a dreamwalker are rarely used here, but when clairvoyance is at play, the story shines.
Though it falters a bit under its own weight, this series still has plenty of fight left.Pub Date: Feb. 25, 2025
ISBN: 9781639733965
Page Count: 576
Publisher: Bloomsbury
Review Posted Online: Dec. 12, 2024
Kirkus Reviews Issue: Jan. 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
It's almost enough to make a person believe in ghosts.
A disturbing household secret has far-reaching consequences in this dark, unusual ghost story.
Mallory Quinn, fresh out of rehab and recovering from a recent tragedy, has taken a job as a nanny for an affluent couple living in the upscale suburb of Spring Brook, New Jersey, when a series of strange events start to make her (and her employers) question her own sanity. Teddy, the precocious and shy 5-year-old boy she's charged with watching, seems to be haunted by a ghost who channels his body to draw pictures that are far too complex and well formed for such a young child. At first, these drawings are rather typical: rabbits, hot air balloons, trees. But then the illustrations take a dark turn, showcasing the details of a gruesome murder; the inclusion of the drawings, which start out as stick figures and grow increasingly more disturbing and sophisticated, brings the reader right into the story. With the help of an attractive young gardener and a psychic neighbor and using only the drawings as clues, Mallory must solve the mystery of the house's grizzly past before it's too late. Rekulak does a great job with character development: Mallory, who narrates in the first person, has an engaging voice; the Maxwells' slightly overbearing parenting style and passive-aggressive quips feel very familiar; and Teddy is so three-dimensional that he sometimes feels like a real child.
It's almost enough to make a person believe in ghosts.Pub Date: May 10, 2022
ISBN: 978-1-250-81934-5
Page Count: 384
Publisher: Flatiron Books
Review Posted Online: March 1, 2022
Kirkus Reviews Issue: March 15, 2022
BOOK REVIEW
BOOK REVIEW
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